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    Hovda, Eleanor – “Eleanor Hovda Collection, The” – [Innova/American Composers]

    the shape of a changing tone, active energy
    moving in place, that is also beautiful, the
    sounds were chosen with a great deal of care,
    notational directions, did not inhibit energy
    flow, space between sounds (or movements
    or objects) sounds around the sound, move
    in “breath” or “process” timing, inhale as
    well as exhale melodically for energy flow,
    the conductor’s main responsibility is
    ensemble flow, dynamic and energy balances
    and non-balances, sonic sculpture created
    by the string quartet, the “mind and body
    energies”, audience: humming, a sound,
    once found, should be used again and again,
    invisible, like the floor, the light, the space
    around, layer sonic textures and energies,
    figure-of-eight energy shapes drawn by the
    body in space, information in score then
    the sound material is already there, long,
    speculative conversations, musician,
    theorist, and writer, unplanned “like the
    wind”, define only part of Eleanor Hovda,
    who’s work is presented as anthology;
    across these discs, works made for various
    ensembles later performed as well as on here,
    by Jeannine Wagar’s Prism Players, California
    Ear Unit, and more, in addition to Eleanor’s
    own proficiency in piano innards, and bowed
    cymbal. Humble yet Miss Hovda was a
    master writer for every instrument used, as
    she made a serious study of each. And the
    vocal work wowza, cd 2 track 2 Diamondia
    Galas step aside. If Phil Niblok is like Sol
    Lewitt, Eleanor Hovda is the deKooning of
    renewed perspectives on classical music.
    -Eveningly Infinitely Wipes Scrub Sonny Atoms Grizzly Adam

  • Reviewed by Grizzly Adam on February 2, 2012 at 8:30 pm
  • Filed as A Library,CD
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