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Peter Brotzmann’s Chicago Tentet Plus Two “Broken English” [Okka Disc]

Despite a leading gentle mantra guided by Hamid Drake’s vocal
prayer, frame drum and soul…do not be deceived, this is
**horsepower** jazz. Peter Brotzmann knows how to whip up a
stampede. He rides into the fray with a gypsy’s tarogato,
calming cycles to go with Drake’s dream chant… But just
shy of six minutes, skyscrapers of sound shoot up through
the idyll. Cue the lurching Longberg-Holm cello…unleash
the dual drumheart of Zerang and Drake pumping at more than
capacity, and the race has begun. Brotzmann has amassed
some mighty thoroughbreds…plenty of NRG and BBQ to keep
the fire music flaming…but “Stonewater” does have some
stillness running deep in pockets. Ultimately it is the
sputtering saxes that stand-out, I’m telling you I hear
horses…lip-flipping, braying, raging stags. So even when
we get a little clarinet soft-shoe around 18 minutes in,
and then a very faint cello/bass duo, I’m waiting for
the hoofs…which leap in almost like a bad edit. For all
the fine playing, track one is acoustically imbalanced.
The second tracks stays strong throughout, a nice brass
oven at the end of its first third. The piece pauses
for a trumpet soliloquy at 13:36 (McPhee?) then it’s
over to Gustaffson for his pyrotechnique. Late in the
piece a drum duet locks in, invites in a swinging set
from the whole twelve and boom, a cliffhanger ending.
Years of music barely fit into 67 minutes, escape words.
Listen, follow one player for awhile, repeat..

  • Reviewed by Thurston Hunger on January 9, 2005 at 11:11 pm
  • Filed as Format,CD,Jazz
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