Tsahar’s Hopscotch label as been delivering pure beauty as of
Reviewed by Thurston Hunger on
March 29, 2005 at 1:31 am
Filed as Format,CD,Jazz
late, whether en masse with Underground Orchestras or in more
subtle style as with these above-the-clouds duets. While I
remain a charismatic agnostic, it is still hard not to hear
the harp as a heavenly harkening. And there’s something about
the thumb piano, that seems to summon up otherworldly vibes
as well. This release even pipes in a shofar, a ram’s horn
for ancient atonement. But this album doesn’t strictly serve
up its spoils past mortal coils, there’s rootsier-than-the-
holes-in-a-bluesman’s-shoes “diddley-bow” on “Deviations”
and the CD closer as well. It’s a one-string, rubber-band
thing that rumbles and stretches. Or if you want neither
angels nor men, how about computer? While not credited, #8
has Assif spiraling tenor scurries into what sounds like
a bubbling cauldron of circuitry (but possibly a homemade
concoction of Cooper-Moore?’) For as much competing bliss
and brimstone as is found here, this album hangs together
supremely. At once refreshingly relaxing, and gloriously
gnashing. The melody at the end feels like coming home,
the rest of the joys are definitely otherworldly.
TELLS UNTOLD is a story about a community.
There is a leader who has been selected by consensus.
Some young rebels decide they don’t like the way the community is being run and plan a mutiny.
There is trechery. The the leader and others are murdered.
The community selects the head of the mutiny as there next leader. They are unknowing of his role in the rebellion.
He marries the daughter of the former leader.
The tune at the end is a celebration of ignorance.
Thanks for the review.
Comment by Cooper-Moore,
July 31st, 2005 8:43 am
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