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Croak and dagger noise from Masami Akita. Rolling out the
limited (1/1000) “frog-colored” vinyl smacks of crafty
merchandising, but the album smacks of pain that you would
hope for. The concept could be as simple as Merzbow himself
dialing the resistors just right to get a virtual frog
sample that belches forth on the A-side, but I prefer to
think the “Frog” monniker is to represent an amphibious
nature to this release. There are moments that this almost
leaps out to the dance floor, geiger click, hep repetition
and jackhammer isometrics create a sort of tadpole techno.
There’s some faux locked grooves, but grooves nonetheless.
But then we get a cathode-arcing bipolar blitz, sheer
shrieking audio assault. Side A takes a while for the hail
of electric fire to rain down, it ends with a sputtering
disintegration. Those merciless moments subside on the
B-side, not that it’s unnoise; it still annoys but the
presence of Rana rhythm over the dank clank of dungeons
provides for vivid sections. Seems like he’s tossing in
reversing sounds as well. Merzbow’s white noise is the
sum of a lot of colors.
Reviewed by Thurston Hunger on
January 30, 2005 at 4:28 pm
Filed as Format,12-inch,A Library
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