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This 2010 CD is the most recent proper album from Anti-Free-Speech Action’s favourite gay, vegetarian, British-working-class, pro-Israel neo-Nazi.
Douglas P. is a legendary figure and voice in the post-punk scene, and as a matter of fact, KFJC co-presented his last show in San Francisco, where a small and rather pathetic congregation of picketers made known their displeasure with the artist’s consistent use of Third Reich imagery, as well, I’d imagine, as his refusal to disavow his own curious brand of New Right/Post-Left (but hardly Hitlerian) politics. His outlook and uniforms are an uncomfortable combo to be sure, but I wonder if that’s the point… Gee whiz…
Another point: there is and shall be no band in the world like Death in June; furthermore, Death in June has never been a political band per se. The artist’s interrogation of modernity’s numerous betrayals (on the personal and international scale) certainly lends itself to political analysis (e.g. t.1), but ‘Peaceful Snow’ is essentially distilled from the thoughts and feelings of a poetically-inclined gay man facing old age on his horizon and with a lifetime of refusal to compromise at his back. Although there is some bile here, in many ways it is the most tender album he has ever done, summoning the inevitable spectre of his old group, Current 93 (‘Soft Black Stars,’ anyone?) in its sober treatment of lost connections and truths long tried by the passage of time; you could say there’s some Leonard Cohen in there too, actually, whose body of work is an apter point of reference for Di6′s than one might think.
The songs are all enriched and expanded by Douglas’ newest collaborator, Neofolk neophyte Miro Snejdr (he has a Death in June tattoo), who transcribed them from guitar to intricate and fragile piano passages, somehow evoking both Burt Bacharach and Ozymandias.
I was a fool not to have checked this out sooner, because it was easily the best Death in June album since ‘Operation Hummingbird.’
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