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This 2009 release featuring David Tibet was originally composed as the soundtrack to F.W. Murnau’s 1922 silent film Der Brennende Acker (“The Burning Soil”). Listening to the four long tracks is like being bound and blindfolded, thrust into the center of a mysterious occult ritual, anxiously awaiting your inevitable sacrifice.
A begins with ominous druid drones. Melancholy pianos tinkle and horns bellow. Inner-ear whispers, possessed growlings, and manic incantations from haunted souls. Swirling ceremonial typewriters crunch under stomping feet.
B continues with sacred scrolls crinkling, tearing, tossed piece-by-piece into the flames. Rhythmic percussion shakes, ecstatic shouts speaking in tongues — the spirit of Noddy? Tapes speed up and swirl down, distorting and disorienting. Echoing scrapes and squeaks, far-off ringing of bells.
C picks up where B left off, with shamanistic synths and droning gongs. An explosion of voices and tape malfunctions. Motherly murmurs comfort you, guiding you through the strange unknown.
D holds the rabid climax of the satanic ritual. Whispered incantations, choral moans, ringing chimes. Angered shouts accompanied by violin warbles, building to a dramatic crescendo of shrill piercing blasts. Chaotic interludes of department-store muzak, simultaneously mundane and sinister. The chaos breaks, giving way to a few short minutes of completely innocuous smooth jazz — the true sounds of the underworld? The piece ends with broken radio transmissions in foreign tongues, slowly fading to quiet deathly ambience.
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