John Duncan “Da sich die Machtgier” [Die Stadt]

The succinct liner notes describe this collaboration
with Asmus Tietchens, and deny it. Tietchens is really
heard only on track #3. Duncan has been a prolific and
either profound or perverse, (likely both) artist over
the years. Often he dabbles in discomfort, (necrophilia
in Blind Date, an attack dog in Threat and so forth),
this album then is surprisingly comforting…in its
coldness. Well the lead-off mutation does bring a
hellicopter snare out of the original, but with lot’s
of silence between rounds. The second piece is a
vortex, as if you could hear the blood in someone
else’s ears…or maybe a galactic redshift of the
original offering. The fourth and final 30 minute
drone is so gossamer it is almost gone during both
its parabolic ascent and descent. The theory here
may overpower the results…but nonetheless an
artist to watch, and to listen to…