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Diamanda Galas “La Serpenta Canta” [Mute]

Which is the evil twin’ This or its doppleganger “Defixiones”
released at the same time? On this Diamanda continues her
cadaverous cabaret. Rhythm and blues in blood red hues. Deep
fistfuls of piano thump, while her voice crawls up and down
the octaves. Choking whispers, spewing flame, nasally
drawling every word split into a trillion trilling notes.
If Chaka Khan is every woman, then Diamanda is every succubus,
possibly including Mariah Carey and Cher. Yes this is that
scary in parts. At times her fiery flagrant vocalizations
border on self-parody. There seems to be no limit to the
tops for her to go over. It’s mostly just Diamanda and her
piano, with a bit of delay on her voice here (harrowingly so
on “I’m So Lonesome I Could Cry”), some weird trembly ghost
treatment of piano there (notably on “Dancing in the Dark”
and “My World Is Empty Without You”). This is one live album
obsessed by death. The snake sings cause it can shed its skin
and survive, not so true with our mortal coils.

  • Reviewed by Thurston Hunger on January 25, 2005 at 1:40 am
  • Filed as Format,A Library,CD
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