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    20 Guilders / We Have Heaven Split [coll] – [Nod and Smile Records]

    20GWHH
    A donation from Junzo Suzuki after a recent KFJC pit performance,
    This is Junzo (also of Miminokoto) and Tabata (Acid Mothers, but
    before that a founding member of Boredoms, yow!) In other projects
    these gents can blow minds and speakers with freaky galactic solos,
    ambient bluesy blowouts, harrowing feedback gauntlets and other
    experimental delicacies, so it’s nice to hear them lay down
    sweet elemental rock. The fire and earth are still there, just
    not as flaming and dirty as some other projects, instead the
    accent is on water (Junzo’s love of blues) and air (Tabata’s
    love of classic rock) Together the dynamic duo embrace songs,
    and you find yourself singing along, even if you don’t speak
    Japanese. These four cuts feel comfortable and hold you up like a
    favorite hammock, swinging to a gentle beat. Nice sustain string
    sting on the lead track, and a driving sea current to “Under
    the Red Cliff” for Suzuki’s two compositions. Tabata’s two
    contributions could almost be campfire songs, his higher and
    thinner voice is the smoke. But it is easy to hear those two
    and imagine them getting the full Melting Paraiso UFO treatment,
    especially “The Mystery of the Pyramids.” Cool stuff.

    On the flip side, PA troupe We Have Heaven shine with the violin
    beaming of Rachek Lambdin. The tracks are effectively all
    instrumental aside from “I Was On My Way To Slumberland”
    with a spoken word diary recital from guitarist Eric de Jesus.
    Drifty effects on de Jesus’s guitar joined also by David Kresge
    working together to get faintly folk clouds of rock aloft, the
    drums from Kyle Page are mildly martial. Keeping time but no
    bass to lock into typical post rock, instead Lambdin’s violin
    provides a sort of renaissance flaire if you know what I mean.
    She’s never flying off like a hell fiddle, it’s more of a Soil
    Bleeds Black kind of vibe, but less drunk on meade. A more
    natural use, and the violin pairs well with the guitars. A
    pretty psychedelic pastiche trip that’s more sunshine than
    herb.

    -Thurston Hunger

  • Reviewed by Thurston Hunger on November 29, 2013 at 10:09 pm
  • Filed as 12-inch,A Library
  • 1 comment

  • One Comment

    “These four cuts feel comfortable and hold you up like a favorite hammock….” may be the best review line of the year.
    Thank you Mr. Hunger. Looking forward to listening to it.

  • Comment by Naysayer, December 1st, 2013 12:25 pm

  • Comment on this review



     

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