Miss Massive Snowflake “Bender” [North Pole]

Positively excellent electro-experiments & minimalist pop from Portland, Oregon! Kids cry out as low fi bass drums crackle and thud. Buried spoken word rants and high pitch screams register simultaneously as the schizo rhythm ensues. One and a two and a Scooby Dooby Doo initiates the stutter stop electronic shop. Acoustic melody strums softly over muted horn whomps. Instructional trumpet tunes about tying up balloons introduce the squeaking twisting sounds of multi-colored air-filled latex before hitting the reverse loop button. Mike Patton-esqu monologues offer languid yet verbose imagery about animals, enemies, carnage, and, decay over stumbling deep jug plops and popcorn snaps. Programmed mid-tempo synth keys modulate clinking sleazy beats and low end groove as grizzled spy guitar slips in and out of the shadows. Synths mutate into sustained organ tones as terrible tykes spew unintelligible utterances. Nocturnal bossa nova masks wobbly metallic sheets and sets the pace for brass horn excursions into bambino babblings. Artificial gongs & bell rings and acoustic nylon string guitar produce melodious sounds for mellow new wave pop. Echoing helicopter vibrations underscore the alternating scratch samples and casio piano. Weird and semi-structured wonders spark intrigue! Such splendid enchanting irregularity from Rollerball’s, Shane de Leon would certainly match up with Monster Dudes, but with diminished discord and improvisation tendencies. File under strangely fucking awesome audio gender bending!