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What KFJC has added to their library and why...

Rabelais, Akira – “Little Glass, The” – [PIAS]

CD1 has tracks 1-4 of this release; piano as played by Akira Rabelais and Harold Budd. This is VERY spare music – track 2 especially so with many silent pauses. Very relaxing, repetitive, lovely. Some DJs might find it too minimal for radio play but they could use it as a bed under mic breaks.

CD2 is one track that is one hour and ten minutes long. It seems to be an electronic reworking of the piano tracks from CD1. Shimmery, bell like and just as calming as CD1.

  • Reviewed by Cousin Mary on December 30, 2015 at 9:24 pm
  • Filed as A Library,CD
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  • Kostis, A. – “Jail’s a Fine School, The” – [Mississippi Records]

    Greek music from the tough harbor area of Athens – with themes of crime, jails, and hashish dens – was recorded in the 1930′s for voice and guitar. The booklet details how they figured out recordings by A. (and K.) Kostis had been performed by Constantinos Bezos. Very clean sound, wonderful guitar work, and appealing vocals remove any barriers that odd-to-Western-ears meters and harmonies might cause – there is much more on music theory in the LP’s documentation. A few instrumental-only tracks, very enjoyable, highly recommended.

  • Reviewed by Cousin Mary on December 30, 2015 at 3:29 pm
  • Filed as 12-inch,A Library
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  • Professor Brian Oblivion – “Dissertation: Volume 1″ – [Clockwise]

    Professor Brian Oblivion is a producer and DJ whose sample based, boom bap style is rooted in Golden Era Hip Hop while steadily projecting towards new treatments. Utilizing turntables, an MPC and a diverse sound library ranging from soundtracks, funk, soul, jazz, psych rock, world music and everything in between, he creates a rubric unparalleled. In the same vein as Ras G’s Raw Fruit and Madlib’s Beat Konducta, Professor Oblivion releases the first of the Dissertation series, showcasing twenty-two raw, open beats in a seamlessly arranged bombardment of funk.With influences of the world’s musical past, the professor meticulously synthesizes and reframes specimens of sound to create sound collage that is rooted in principle and steeped in culture. Hard hitting drums, scintillating synths, dancing melodies and grooving basslines construct “Dissertation: Volume 1″, culminating in a cacophony of head nodding slappers. All tracks FCC Free and Inst.

  • Reviewed by Arcanum on December 26, 2015 at 1:26 am
  • Filed as 12-inch,Hip Hop
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  • Linear Downfall – “Sufferland” – [PIAS]

    Excellent mix of hazy vox and crazy electronics, for
    a Nashville gnashing of the ears. Hits me right in the
    pleasure pain center, thanks to tweaked out electronics
    and ghost piano (#1) and failing medical equipment(#4)
    and maybe even a smattering of mellotron (end of #7)
    Mellotron on #12 too? Also a gaggle of sax geese on
    that “Over My Shoulder” closer which on the CD then
    has a fake locked groove starting around 4:40 and it
    keeps going till you think about killing your roommate
    and instead shut off the CD. Despite that mechanical
    maniacal industrial repeat-a-thon, someone in the band
    might be wearing Beatle boots, (check “It’s Always
    Ending”) it’s been a while since I’ve heard those boots
    tiptoeing around, kind of nice. But most of the album
    is less moppy poppy, and just artfully twisted, like on
    “No Traces.” Female and male vox, the former winning by
    a pretty hair (a Rapunzel-like strand floating down from
    some high castle). Perhaps just the right number of
    Cooks (brother and sister, Chance and Charlee)
    in the kitchen….hope to hear more from this
    four piece. The album apparently has an accompanying
    film but plays just fine on the drive-in between
    your left and right lobes! -Thurston Hunger

  • Reviewed by Thurston Hunger on December 22, 2015 at 10:30 pm
  • Filed as A Library,CD
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  • Harper, Billy Quintet – “Live On Tour In The Far East” – [Steeplechase Productions]

    Billy Harper Quintet, “Live on tour in the far east, Vol. 1,” was recorded in Pussan South Korea in 1991. The influence of John Coltrane is clear throughout. Check out the piece “Countdown,” Coltrane’s reharmonizing of Miles Davis’ “Tune Up”. SteepleChase, the record company that put out the album, is based in Denmark and is known for picking up jazz artists who lost their contracts with other labels. Indeed, Harper is considered by some as a “criminally” underrated musician. Listen to the album and decide. There’s alot to like there.

  • Reviewed by felix on December 16, 2015 at 7:30 pm
  • Filed as CD,Jazz
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  • Atom TM – “Riding The Void” – [Raster-Noton]


    This 2015 EP has remixes of Atom (Uwe Schmidt’s) Riding The Void from the 2013 HD album including the original. These tracks are post-modern Kraftwerk techno dance material, very much demonstrating the ‘intellectually dancing alone in emptiness’ techno feeling. The original is wicked, especially with the bass treatment.

    The various remixes are of a mixed bag, very minimal with little movement. The ‘Nought Remix’ takes the track into minimalist house-funk; the ‘Scuba’ remix keeps the techno flavor with even more minimal soundscapes and the ‘Tool’ remix has a more dirty lo-fi sound.

  • Reviewed by Kai Sync on December 16, 2015 at 5:55 pm
  • Filed as 12-inch,A Library
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  • Le Flange Du Mal – “Carrion, My Wayward Son” – [Resipiscent Records]

    Not previously released studio recordings. They have worked with Sun City Girls, Caroliner, and Malcom Mooney. We have one other cd in the library and they were on Devil’s Triangle 8. They are from San Francisco. KFJC is one of their top friends on myspace. Dance ska rock music. Lots of drums and horns. Tongue and cheek lyrics. Fast paced, different than other CD, less electronica.

    – Billie Joe Tolliver

  • Reviewed by billiejoe on December 16, 2015 at 5:50 pm
  • Filed as 12-inch,A Library
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  • Dark Moon [coll] – [PIAS]



    Set in the year 2067 Dark Moon#1 is a Music Soundtrack to accompany the observer who may be getting trapped on a journey to a harsher climate of the “Dark Moon” Through the magic of Multi-Media and theoretical physics, experience San Francisco and subsequently KFJC be destroyed by an asteroid that has veered from its course. Transport into the Manga-esque Dark Moon world and be one of the first humans to break the speed of light barrier while the sounds of this soundtrack transfer the data thousands of times that speed via quantum computing. Break down and discover advanced alien technology. All tracks are FCC FREE :) Produced by Freematik except for track 11 which has a dubstep/ digital glitch electronic produced by J.D. Keiser. Key Tracks: (Hip Hop) #’s 2 and 19 featuring Myka 9 of Freestyle Fellowship. (Rap) #4 Featuring AD Kapone, Chunk & Lasro. (Elecectronic) #1 & 8 by Freematik.


    1. Dark Moon Theme
    2.This Dark Moon ft. Myka 9
    3.Galactic Interloper
    4.Stranded On This Dark Moon ft. Ad Kapone & Chunk
    5.On The Moon
    6.Dark Frontier
    7.When Fear Sparks In Your Hear ft. Mad Shad
    9.Ancient Gears
    11.The Creatures Attack
    12.Faster Than Light
    13.Signs of Life
    14.Blasting Off ft.Three Dimensional Crew
    15.Dark Energy
    16.Alien Invasion
    18Trapped ft. Agent 216
    19.Synthetic Intelligence ft. Myka 9

  • Reviewed by Arcanum on December 10, 2015 at 5:49 am
  • Filed as CD,Soundtrack
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  • Enemie – “040615 & 042115″ – [Uncle Daddy]

    dubwise grime from mysterious electronic beatsmaker out of USA (i want to say it’s east bay but no way to verify). live recorded for grit production but slick beats nonetheless (in aesthetic, not quality). perfect for late night chinatown wandering, flashing lights abound; freeway traffic maneuvers and dizzy all-night haze. simmer and shake

  • Reviewed by abacus on December 9, 2015 at 9:32 pm
  • Filed as A Library,Cassette
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  • Pekak! Indonesian Noise 1995-2015 [coll] – [End of The Alphabet Records]


    musician/promoter Indra Menus spent 5 years compiling this glimpse into the Indonesian underground, documenting a history of noise from a scattering of diverse cultures comprising the archipelago. a vast variety of sounds, from standard HNW (1,2,5), to industrial noise (3), noise rock (4), noise drone (6,18), noisecore (9,12), noise glitch (13,15), and all sorts of unclassifiable variants of the noise genre; some of the tracks (8,10) definitely reveal their cultural influence more prominently and stand out as distinctly unique examples of sonic rarity. unheard sounds from a country notorious for its lack of documentation, this is a historical gem of musical documentation.

  • Reviewed by abacus on December 9, 2015 at 9:19 pm
  • Filed as A Library,Cassette
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  • La Morte Young / Drone Electric Lust [coll] – [Pica Disk]

    hippie jammy droney wails psych
    would be enjoyable on 45 too
    – Billie Joe Tolliver

  • Reviewed by billiejoe on December 9, 2015 at 5:52 pm
  • Filed as 12-inch,A Library
  • 1 comment
  • Westberg, Norman – “13″ – [Room40]

    Three medium minimal drone tracks. The second has some high pitches and in general the third is the most dynamic.Westberg was the guitarist with Swans.
    Originally recorded in 2013 and limited edition now rereleased after being remastered and digitized.
    Praise from Lawrence English on album info.

    – Billie Joe Tolliver

  • Reviewed by billiejoe on December 9, 2015 at 5:49 pm
  • Filed as A Library,CD
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  • Geerken, Hartmut and His Rock and Free Jazz Group Kabul – “Insistency!” – [Holidays Records]

    German band leader bringing us some jammy slammy good times.
    2015 release of a 1977 live recording. Limited edition. Cover art done by Geerken. Some crazy Eastern percussion instruments and waily guitar and free horns.
    – Billie Joe Tolliver

  • Reviewed by billiejoe on December 9, 2015 at 5:46 pm
  • Filed as 12-inch,Jazz
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  • Swami Kriyananda – “Ananda Meditations” – [A&M Records]

    I think this is the Romanian dude who was a follower of Paramahansa Yogananda, the famous Yogi who “brought yoga to the west” in the early 20th century. Check out the movie about him called Awake that came out last year. Ananda is a name and also means “extreme happiness, one of the highest states of being”. Solo sitar accompanies the Swami who paints us a happy place with his words for the purpose of meditation. The old scratchiness just ads charm. And it’s fun to hear some old school new age.
    – Billie Joe Tolliver

  • Reviewed by billiejoe on December 9, 2015 at 5:46 pm
  • Filed as 7-inch,A Library
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  • Ware, David S. /Apogee – “Birth of a Being” – [Aum Fidelity]

    Remixed from 8-track tapes, the first recordings of David S. Ware, with his Berklee School trio, Apogee: Cooper-Moore on piano and Marc Edwards on drums.

    CD1 was originally released by hat Hut in 1979, and is long out of print. CD2 features material from the same sessions that has never before been issued. Ware had been a part of the Cecil Taylor Unit for a few years and the influence is apparent.

    Different versions of “Prayer” open both CDs and both are compelling in their own ways. CD1 is a collective blowing session, while CD2 contains a more varied mix of material and arrangement. “Ashimba” (#4, CD2) features a solo recording of Cooper-Moore playing a xylophone of his own design and construction. “Solo” (#5, CD2) is David alone and very powerful, a sweet interrogation.

  • Reviewed by Hemroid The Leader on December 9, 2015 at 1:38 pm
  • Filed as CD,Jazz
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  • Stallcop, Glenn – “Myths and Fairy Tales” – [PIAS]

    Solo piano improvisations in the western classical tradition. Pensive, expressive, melancholy. Recalls Debussy. Recorded in a cabin in Arizona. Glenn Stallcop plays double bass in the Phoenix Symphony Orchestra.

  • Reviewed by Hemroid The Leader on December 9, 2015 at 1:03 pm
  • Filed as A Library,CD
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  • Guerin, Jean – “Tacet” – [SouffleContinu Records]

    Originally released in 1971 on French cult label Futura. The most expensive production they ever did, and worth every penny. This is Musique Concrete psychedelic jazz. It has something for everyone! Reissued by Parisian label & record shop Souffle Continu (“Continuous Breath”). Turns out Futura owner Gerard Terrones is a close neighbor of the shop.

    Squeaky brass splatters and furtive bass, high-pitch solfege singing, saxophone variations inter-cut with vintage electronics, analog drum machines, patch-bay air sirens, burbling cauldrons, and something called “water trumpet”. Primal, futuristic, dystopian.

  • Reviewed by Hemroid The Leader on December 9, 2015 at 12:26 pm
  • Filed as 12-inch,A Library
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  • Trubee, John and The Ugly Janitors of America – “a Blind Man’s Penis and Other Smash Hits” – [Trubee Records]

    John Trubee

    This album is truly great. It contains songs that have been lying in wait for us since 1983, and although they are full of FCCs, they contain great messages underneath the jaunty, almost humorous beat and melodies, which are catchy and appealing. Kind of rock, deceptively silly, and rollicking. Trubee is smart, and he uses humor and sarcasm to deliver his words. Horns, percussion, guitars, male and female vox. I particularly enjoy “Take a Shit on Me.”

  • Reviewed by humana on December 9, 2015 at 11:17 am
  • Filed as 12-inch,A Library
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  • Bussotti, Sylvano – “Brutto, Ignudo” – [Amirani Records/Amirani Contemporary]

    Sylvano Bussotti is an Italian artist of renaissance proportions whose work includes music composition, dance, theater, poetry, stage production, novels, etc. Audacious, outspoken, always challenging the audience, Bussotti was embraced (or not) for his outrageous style as witnessed in his personal music notation, which look like art pieces by themselves. This cd, “Brutto, Ignudo” is a collection of some of his key pieces, interspersed with Bussotti discussing or describing the piece and incidents around it. Alternating between clarinet piece and piono piece, the sounds are so distinctly mid to late 20th century. You can hear the sound of experimentation and the thrill of it. Bussotti’s musical notations were anything but traditional. Sometimes in shapes, removing the staff, these are pieces meant for interpretation by the performer. The clarinet bounces up and down, sounds coming out high and low, played for long periods or quick bursts and everything in between. The piano pieces are gorgeous explorations of the whole keyboard, with an interesting play on time: moments of silence exist, sometimes longer than usual, but then returning to bursts of sound. This is an excellent high brow addition to our collection.

  • Reviewed by Naysayer on December 9, 2015 at 12:11 am
  • Filed as A Library,CD
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  • Guazzaloca, Nicola – “Tecniche Arcaiche Live At Angelica” – [Amirani Records/Amirani Contemporary]

    Out of Bologna, Italy comes Nicola Guazzaloca, pianist extraordinaire. Born in 1975, Guazzaloca focuses on the experimental and improvisational side of things and is a big part of the European jazz circle. “Tecniche Arcaiche” is his two part solo piano composition which many consider his masterpiece. Performed live at the Angelica International Music Festival from Bolgona, “Tecniche Arcaiche” is 42 minutes of stunning piano playing. Parte Prima is Guazzaloca leaning inside of the piano, plucking, strumming, rubbing, twisting, who knows what else, to the strings. An authoritative, skilled intervention of what more the piano may provide. Parte Seconda has Nicola sitting at the bench, playing the ivories from low register to high. With a command and knowledge of how to bring a variety of sounds from the piano, Guazzaloca flows through moods of chaos and control. Yet again, another wonderful selection from Amirani Records, working to teach us that experimental and challenging does not always have to be messy.

  • Reviewed by Naysayer on December 8, 2015 at 9:02 pm
  • Filed as CD,Jazz
  • 1 comment

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