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Italian music is strange. From giallo soundtracks, to Italdisco, and mondo soundtracks, things are always just a bit off center. “Collezione” from the label Edizioni Mondo is a collection of four artists/groups who are playing a 21st century type or style of electronic experimentalish cocktail lounge music, some with the sounds of animals howling and birds chirping as well as ocean waves gently crashing. Electronic beats guide each piece while background sounds fill out the lounge quality. It’s very chill, but Italian chill. It reminds of this Italian disco I went to in Firenze in the mid 1980′s. The Italdisco beats were pounding, fog machine was on, VERY chic well dressed Italians sat around sipping cocktails until it was time to dance: a very controlled, stylish sweatless dance. So amazing to watch. Like this. Great to listen to. Great for beds or just kicking back. Sweatless kicing back.
Khmer Rouge killed almost 1/4 of Cambodia in five years 1975-9. If you dug the “Hanoi Masters …” comp, this time Glitter Beat goes Cambodian. Machete-wound shrapnel blues singers, produced by Ian Brennan (Tinariwen, TV On The Radio). They play the two string long-necked Cambodian lute in a minor pentatonic scale like blues and Saharan desert music. Hand claps, women singing in hypnotic unison. Drums. Cambodian is a musical language, the same word can have a dozen meanings, depending on inflection.
South African duo offering up and energetic mix of accordion, beats, and spitting fast Sesotho dictation. no information for this release, and its quirky…
This entire CD is a delight from beginning to end. Ivers entrances with her fiddle, octave violin, banjo, and mandolin, taking us on a musical journey from the bog road and Celtic traditions of her native Ireland to the root music found in America–bluegrass, French Canadian, Cajun, and Appalachian. Her talents in writing, arranging, and playing the tunes here are remarkably enjoyable. Read the liner notes to get the full experience and story behind each song.
Ahh, the joy of spoken word, especially in another language that you may or may not understand fully or even partially. These 12 selections of Spanish prose, selected and read by the professor of Romance Languages, Manuel Duran, give a brief overview of some of the best pieces of Spanish writing from the last few centuries. Some of the authors may be familiar, others not as much. The beauty is in the lyrical quality of the words, the phrasing. Let them stand on their own or mix them in with other sounds. Enjoy.
The Greek Urban Experience with Turkish delights by way of
Psychedelic instrumental music from Ankara, Turkey. The title track (side A) is a rendition of Mulatku Astatke’s composition. Side B is very trippy. Well played, definite Middle Eastern influence. interesting even without the novelty of being from Turkey, released by Sublime Frequencies.
Scorching-hot fuzzy tropical psychedelia blended with metal, surf, free-jazz, and haunted houses. Despite such disparate influences, the album is amazingly cohesive and just fucking rocks!
“Fumaca Preta” (foo-ma-sa pret-ta), which means “Black Smoke” in Portuguese, was started by Alex Figueira, a Portuguese-Venezuelan percussionist, and recorded with his friends in his home-made analog studio in Amsterdam. The South-American influence on this album is strong, sounding at times like Os Mutantes, but meaner, more acid-fried, and blood-stained.
Lyrics are all in Portuguese, but translated into English in the liner notes. They deal mostly with dark themes like murder and suicide, but with some humorous moments, like the very first lyric on the album, which translates to “Stick your selfie-stick in the infinite hole of your idiosyncrasy.”
It’s all really, really good. My personal favorite is Baldonero, a bizarre mix of latin dance rhythms, surf guitar, doomy riffs, and cookie-monster vocals like nothing I’ve heard before.
Oh for the days of vacationing in the Catskills, staying in the luxury hotels of the Borscht Belt, partying all night in clubs on the Florida coast, flying over to Tel Aviv for a rejuvenating week: such was the life of the Jewish-American Jet Set. The amazing Idelsohn Society has set to preserving some of this feeling through selections of music coming from this time in the 1950′s and 1960′s. Honoring the Tikva Records label that continuously released this music, the listener is treated to 20 selections of sounds that vary from kitsch to twist to more traditional-ish styles of Jewish-American sounds. Jewish cowboys, how to date orthodox,conservative or reformed ladies, or learning the difference between a Litvak and a Galitz, it’s all here. The night club orchestrations are superb, making each number bump, swish and sway the night away. Enjoy and mazel tov.
Talk about something that gets you dancing from the first sound of the first track–this is brilliant salsa from the New York-based sextet composed of musicians who know their music and aren’t afraid to share it. Flute, sax, bass, violin, trombone, tres guitar, bongo, and conga combine with great vocals to mix up some Cuban and Latin rhythms that are tinged with jazz and speak to your own inner rhythms to include you in a world dance. Celebrate!
Quelbe (pronounced kwell-BEH) is the official music of the U.S. Virgin Islands, and the tradition owes much of its style and continuity to Stanley and his band. At its core are the squash (a gourd scratched by metal), steel (triangle, originally formed from car brakes), banjo-uke, and pipe (flute, originally a muffler from a car). The effervescent calypsos, waltzes, quadrilles, jigs, and marengues on this release will lift your spirits and pull at your feet. Read the liner notes for the history of quelbe and the story behind each of the songs.
World music with a yogic message. Musicians from India, Venezuela, and Los Angeles. Arohi means ascending melody. Ahimsa is a sanskrit word meaning non-violence and is in many ancient yogic texts. It is meant to be a philosophy for how to live your life, not just describe an isolated instance. It’s also intended to apply to oneself, meaning don’t do harm to yourself, or, love yourself. There are vocals, sitar, and rad fast drumming. Really lovely groovy dance music.
This record invokes the soothing and focused sound of the Mbira. The Dzavadzimu Mbira is a symbol of the traditional culture of Zimbabwe. The njari is a less common type of Shona mbira originally introduced from Mozambique. It was quite popular in Zimbabwe during the mid-20th century, and frequently featured there in radio shows during the 1950′s and 1960′s.The liner notes in the gate-fold are a great guide to this work.It helped me a lot to read each individual song’s synopsis while I listened and the dreamed scenarios described.
This 2-CD release is a treasure, with its rich textures and sounds. Goudarzi’s voice is seductive as she sings/recites from memory the poetry of Rumi, accompanied by the masterful sitar music written and performed by Khan. Abhiman Kaushal gives everything a heartbeat with his tabla, and Ajay Prasanna’s flute weaves its way into this international brew in a mesmerizing way. The overall effect is compelling and tantric.
The Yanomami are an indigenous rainforest tribe that have been massacred time and time again, and captured here are sounds that would have been otherwise lost to the folds of time. Mesmerizing guttural chanting with subtle forest sounds in the background. Great for mixing, no real discernible breaks between tracks. Included booklet details everything you’d ever want to know about Toop’s journey.
Heavily influenced by Miami Bass, this is Brazil’s own brand of hip-hop. Often minimal in structure, simple out of necessity, and made with only the equipment they could get their hands on, this music originated from some of the most impoverished parts of Brazil. With lyrics ranging from naughty innuendos, to subtle drug references, to just the longing to feel pride for the favela you came from; these songs maintain an upbeat, bass heavy outlook on life, proving no matter what hardships these people face, it can’t be denied that at the end of the day, they know how to party…really, kids in Brazil get fucked up to this shit.
Joe Cooley hailed from Ireland and played the accordion with such heart that this album was made to preserve the experience of his music for generations of lovers of jigs, reels, and country folk music. Tony MacMahon writes the touching liner notes that describe how the first 8 songs were recorded at a session just a month before Cooley died at the age of 49 on December 21, 1973. After a stint in America and San Francisco, Cooley was home and packed the bar in South County Galway so there were even folk outside in the rainy November night gathered to hear the musician one last time. Side two has songs from earlier in Cooley’s life. This is a bittersweet tribute.
Indian folk singing and zitar and drumming and wind instruments. Alternating female and male vocalists in Indian language I can’t identify. Bob your head to these bollywood styles. The only thing I could find out about this is that Gujarati means someone from Gujarat.
A Capella religious chanting. One side only. Lyrics written in Armenian and translated to English. The way he is singing and using his voice reminds me of latin catholic chants. Liner notes have history of the church and the Armenian genocide. Same vocalist on each track, Reverend Yeznig Zegchanian. This album was released just this summer.
Tessier, Yves – “French Troubador Songs of The 12th and 13th Centuries” – [Elektra-Stratford Reco...]
If you like Southern France, iambic meter, lutes, Gregorian chants, then you’ll love this. The liner notes highlight the history behind the courtly poets of Southern France (the troubadours) who expressed their reverence for women and the love they inspire in vocal music sometimes accompanied by lute (on this record, Mildred Clary plays the lute). Tessier himself composed the music in the tradition of the 12th and 13th centuries, since musical notation for these ballad-like songs did not exist. Some songs just feature Tessier’s voice, and those definitely sound like Gregorian chants. Others have the lute setting. Enjoy.
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