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CD1: Summer smells / CD2: Winter smells
Mimmo, Gianni & Sjostrom, Harri – “Live At Bauchhund Berlin 2010″ – [Amirani Records/Amirani Contemporary]
Out on Mimmo’s own label Amirani Contemporary, a duo of soprano sax natives Gianni Mimmo and Harri Sjostrom (ho-STROAM) performing live at Bauchhund Salonlabor in Berlin, June 4, 2010. Track 1 is a spoken intro. It was recorded on the anniversary of Steve Lacy’s passing, a fact mentioned in the intro. Lots of mouthpiece sounds. They get very into the instrument. Almost private. Track 9 features Sjostrom playing a special plastic cup.
The Hoosier Hot Shots were a four piece swing, jazz, cornpone, hillbilly country outfit from Indiana. Steeped in the tradition of vaudeville, the group took parts of the U.S. by storm with their weekly radio broadcasts, their stage presence, their prolific recording career and their continued appearance in Hollywood westerns. This collection, “Everybody Stomp” is a 4 CD set of 100 Hoosier Hot Shot delights. The guys were multi-instrumentalists, playing a variety of brass instruments as well as guitar, string bass (various), clarinet and some unique handmade instruments including the Zither and the Wabash Washboard. It consisted of a corrugated sheet metal washboard on a metal stand with various noisemakers attached, including bells and a multi-octave range of squeeze-type bicycle horns”. Also, slide whistles are in most numbers. The Hoosiers selected many standards and familiar songs of the time to cover with a jaunty, silly twist. Vocals include conversation between the musicians, with some of the singers using this hight pitched kind of hillbilly accent. And don’t forget the penny whistles. Once beyond the goffiness, though, take a listen to the amazing musicianship between the members. It’s quite impressive. A fun addition, fitting many of the styles of our station’s shows.
Recorded February 17th, 2014 at Cal’s Center for New Music & Audio Technologies.
Add another great record from Gerry Mulligan to the KFJC library with this music that is as comfort food to me. Featuring recordings from 1952-1953 of “pianoless quartet” members Mulligan on baritone sax, Baker on trumpet, Larry Bunker on drums, Carson Smith on bass, Chico Hamilton on drums, and Bob Whitlock on bass, this is jazz from a time when the genre was undergoing changes described on the album notes. Mulligan arranged all and composed some of these tunes, making them all worth listening and swinging to. You won’t be able to stay still, I promise.
These recordings come to us from 1958 and are as engaging as the album cover. Percussion fans will appreciate Rugulo’s compositions and the way they are executed by the likes of Andre Previn on piano, Larry Bunker on vibes, xylophone, and timpani, and Shelly Manne on drums. Read the liner notes as you partake of the pleasure, especially of “Funky Drums” and “Percussion at Work.”
Recorded 1985. 8 saxophones (3 alto, 4 tenor, 1 baritone) + piano trio. Ambitious concept, lush arrangements and verbose lead work from Philadelphia tenor player Odean Pope. You have to admire the madness? Sometimes Pope’s solo rises above. Add it to the stack with Rova & WSQ
Recorded ’95/Released ’96. Baritone Sax legend Hamiet Bluiett’s Barbecue Band blends Free sounds, Afrocentric vibes and strong Gospel flavors. Recalls Steve Coleman.
Excellence sometimes hits you directly in the face, or in this case, in the ears directly to your heart. Jazz improvisation has a big field of players. Many do it but few do it superbly. From the first few notes of this cd of three sets by Foxes Fox, the listener knows this is the real deal. Evan Parker on saxophone, Steve Beresford on piano, John Edwards on double bass and Louis Moholo-Moholo on percussion do not hold back for a moment. There is no leader here. All are on a par with and sounding comfortable with each other. There is rare pause. The instrumentation is TIGHT. The musicianship is superb. All instruments perform together with rare moments of solo work. Each is a supreme example of mastery of that instrument and could be a solo piece in and of itself, but put together is a sound so rich and so full. Beresford pounding out the low and high register at the same time with equal force gave me chills. Parker’s sax floats, punches, jabs around and through, while Edwards works his own logic with bass lines coming form everywhere. Maholo-Moholo’s percussion work does not hold down the work but makes it explode even more. How many ways can you say outstanding?
Lindberg was in his 20s, had played bass in the Anthony Braxton quartet from 79-85, this 1984 date features Braxton conducting. Recalls Mingus, classical. “Holler” theme echoes Peter & The Wolf. “m to M” builds from bass-xylophone duet into trumpet&sax split-channel solo over lush backdrop. “Dresden Moods” passes thru bombs to rebuilding. Ensemble passages, duo and trio vignettes, intense, serious, impressionistic.
Guerineau, Sylvain/Kent Carter/Itaru Oki/Makoto Sato – “D’une Rive a L’autre” – [Improvising Beings]
Free jazz sounds from this international quartet, all four members having been based in France since the 1970s and well-known on the jazz/improv scene. What we get here are wide-ranging workouts on tenor sax, trumpet/flugelhorn, bass, and drums. Plenty of variety in this music, with some quiet, ambient-ish sections contrasting with wild sections full of high energy blowing and banging. And of course, everything in between. Trumpeter Itaru Oki also plays a bit of flute. I especially enjoyed bassist Kent Carter, who is solid and also gets some unusual sounds out of his instrument.
Art Tatum- piano
Jazz trio record. Tatum and Hampton are in virtuosic form. Sublime. Every tune a winner. Recorded in LA, 1955.
Do Tell is a cornet/tuba/percussion trio from New Mexico. This group of 6 Julius Hemphill compositions sounds rather good with this odd combination of instruments. The tunes are upbeat, happy, and bouncy with some nods to Hemphill’s avant-garde side. Who knew tuba in the right hands could be so graceful and compatible with a cornet?
Duo- Lukas Ligeti – drums & Thollem McDonas – piano
Out on Sun Ark, this is an old-fashioned jazz trip, two sidelong freakout dirges, spoken words, poetic transmission. With 50 releases out on his own Weird Cry, Rob Magill is a multi-instrumentalist, poet and painter living in Southern California.
“Go Right” provides an interesting look at a period and place for jazz musicians and fans: Poland 1963-75. A LOT was going on in Poland during this time, including a very controlling government that watched out for cultural “appropriateness”. You can’t rock the boat that hard, or you need to be very subtle about it. The groups on this compilation are extremely talented, playing strong, solid, pretty straight ahead jazz. With the occasional title about revolution. A lot of it sounds like great soundtrack music or the best of studio musicians which requires superb musicianship. But the centerpiece of the collection is the introduction of the Novi Singers to the rest of the world. WOWSA. I mean, quality. The first thing I thought was The Double Six of Paris and Lambert, Hendricks and Ross, classic jazz vocal groups of such power and skill. Novi Singers rank equal with them. A quartet of vocalists, one female and three male, the outcome is so stunning, so smooth it gives me goosebumps. Lots of scat singing, in harmonies that break my heart, with amazing jazz instrumentation accompaniment. It might sound kitschy to some. It is not. It’s a tradition of singing that many attempt but few can pull off. Plus there is that wonderful 1960′s feel to so much of it. Stellar and just so enjoyable. Bee buh dee do wop yah.
Prepared-piano impresario Magda Mayas leads a group of improvisers to experience their instruments as assemblages of resonant material. Sparse. Lots of scraping, fumbling, bowed cymbal. More Mayas in the library
trans: The Hand That Seeks The Light. It must be really dark in there. The band fumbles madly for their instruments. Somebody turn on the light! Strange ensemble, like a pot stirred non-stop, never allowed to simmer. Just steamy fumble. Bassist Del Piano leads two different bands through two CDs on the excellent Tokyo label Improvising Beings. Subtle electronics are more noticeable on CD1.
Born in St. Louis, Missouri and awarded a scholarship to attend the St. Louis School of Music, trombonist Michael Vlatkovich has lived in Los Angeles since 1973. His session resume includes films such as John Cassavettes’ Tempest.
Here, he leads a quartet in a creative improv setting. Jonathan Golove’s electric cello is alternately bowed and plucked, and along with David Mott’s baritone sax stands in for the bass. Chris Garcia on drums. Trombone, bari sax, and drum often conjure a second-line feel.
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