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Trashies, The – “Octagon, The” – [Fine Concepts]

The place where the spastic stuck is where The Trashies
spot-welded their sound on your heart-shaped ears. They
step into the album like Chuck Norris into a rap battle,
in-it-to-win-it. The opening title track gives you
a little taste of the waste floating in the Trashies
stream of conciousness. Rhyming slang to put your mind
in a sling, and not afraid to play the Buttafuoco card.
Is this where hip hop meets gunk rot? Music escapes from
the drum machine circus, with an array of guitar moves
that might bust out twin-lead Thin Lizzy, or might break
off some thick and stumbly Beefheart chunks. Just because
the dork-o-meter is set on 11, doesn’t mean these itty
bittie ditties aren’t big on style. Of course most songs
come at your quick like a UFC round, 2 minutes is a long
one. This sure scratched my old Uzi Rash itch, sure enough
mighty Max Nordile is in the dumpster band. Erin Allen plays
something too, probably lots of somethings. Album
finishes strong, that “I’m Uh Stayn” and “Shovel” tag
team is a killer. Crazy choruses on both, “Shovel” offers
a sing-along for an asylum, while “Stayn” almost sounds
like he’s saying “Namaste” while a voice over like like
the Weatherman corrects the phrasing. “Fresh Hunny”
drips with sweat of a 100 Prince impersonators. Steel
dum-drums (sampled?) on “Rhinoline” are just fine, and
“Dumb 2 B Smart” is a loaded potato for this old spudboy.
5 Thumbs Up, and venom in my eye! -Thurston Hunger

  • Reviewed by Thurston Hunger on February 17, 2018 at 4:22 pm
  • Filed as 12-inch,A Library
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  • Mungo’s Hi- Fi – “Serious Time” – [Scotch Bonnet]

    Mungo’s Hi-Fi Serious Times
    Electro-Dancehall style reggae. Mungo’s Hi-Fi comes out of Scotland, but sounds like they are straight outta Kingston, JA. Great line-up of vocalists with many styles and dope rhythms from the sound system. DJs on the decks dropping bomb tracks, and MCs on the mics with excellent flows and vocals. Sides A and B are highlighted by female vocalists Warrior Queen, Soom T, and Marina, who help balance things out and add a sweet flava to a scene often dominated by dudes.
    Sides C and D the Dudes are back in control and strutting their stuff. Cornell Campbell is a recognizable name on the last track, but all cuts are strong.
    Ras Babo

  • Reviewed by rasbabo on February 7, 2018 at 2:23 pm
  • Filed as 12-inch,Reggae
  • Comments Off
  • Delstroyers, The – “Diabolical!” – [Hell Hop Records]

    Thirteen original tracks from this Seattle based instrumental surf trio are a lot of fun. Well played, it is unmistakably surf music with a modern twist. Some horror, Spanish touches with a reverb crash here and there. Good energy, danceable.

  • Reviewed by Cousin Mary on February 7, 2018 at 12:57 pm
  • Filed as 12-inch,A Library
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  • Battles – “EP C/B EP” – [Warp Records Ltd]

    Battles: math rock, post rock, art rock. Whatever. These two EP’s from 2004, brought together as a double album, are Battles as a foursome, including Tyondai Braxton. That’s early Battles. Exquisite interplay of guitars, bass, keyboard and drums, spilling out patterns, breaking them apart, overlapping, interpreting, adjusting. This is the project at it’s beginnings, establishing a foundation of what would follow. Calculate away.

  • Reviewed by Naysayer on February 6, 2018 at 8:41 pm
  • Filed as 12-inch,A Library
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  • Computer – “Internet” – [Skrot Up]

    This is an album called ‘Internet’ by an outfit calling themselves ‘Computer,’ and well it sounds exactly like you think it would. Which is to say, cliched synth squiggles, slapdash Youtube sampling, text-to-speech, wrong-speed experiments, gratuitous power chords, all chopped up and run through Ableton by a pair of millennials on an Adderall/weed bender. Another reviewer writes: “just a big dump of digital trash that cannot be avoided.”

  • Reviewed by Phil Phactor on January 31, 2018 at 7:14 pm
  • Filed as 12-inch,A Library
  • 1 comment
  • Burrell, Kenny Quartet – “Tender Gender, The” – [Cadet Records]

    If Kenny Burrell has ever sounded better, I have not heard it. Fine guitar gymnastics and lyrical interpretations of these tunes including some nice octaves, a la Wes. Excellent piano from Richard Wyands. Overall engaging, good energy, groovy.

  • Reviewed by Cousin Mary on January 22, 2018 at 4:42 pm
  • Filed as 12-inch,Jazz
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  • Tough Solar – “Tough Solar” – [Vibraphone Records]

    This is Michael Lenzi on drums, percussion, voice, melodica (key harmonica), and sampler. He is from Chicago and has played in Number One Cup, Gold Medal, The Fire Show, Resplendent, and Lenzi. This album sounds like ethereal feels and sad voices. The looping makes it feel as if we are not alone. Pop sensibility question mark. My favorite track is track 4 Restless Navy.
    – Billie Joe Tolliver

  • Reviewed by billiejoe on January 10, 2018 at 1:29 pm
  • Filed as 12-inch,A Library
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  • Morricone, Ennio – “Il Mio Nome E Nessuno” – [AMS]

    This is the original soundtrack to the 1973 italian western My Name is Nobody. Once the greatest gunslinger of the Old West, Jack Beauregard, only wants to move to Europe and retire in peace, but a young gunfighter, known as “Nobody,” idolizes him and wants to see him go out in a blaze of glory. He arranges for Jack to face the 150-man gang known as The Wild Bunch and earn his place in history.

    This soundtrack starts off with a very heavy Room 222 seventies sitcom vibe with flute, etc. The next 2 tracks are more “westerney” with classic whistling and the regular tricks. Track 4, Side A is my fave, it starts off with a clock ticking and slowly the instrumentation and elements that create the perfect Morricone masterpiece. On side 2 the standout for me is the second track with a creepy sound (and that 70s bass!). Track 3 has a weird take on Ride of the Valkyries. The album closes with more 70s flutey sitcom stuff. Overall a nice addition to the library. Morricone is a true master. The liner notes are all in italian which was kinda lame unless you can read italian. This is a re-issue.

  • Reviewed by ophelia necro on January 10, 2018 at 4:58 am
  • Filed as 12-inch,Soundtrack
  • Comments Off
  • Burrell, Kenny – “Cool Cookin’” – [Cadet Records]

    kenny burrell Cool cookin album cover

    Detroit guitarist Kenny Burrell recorded at the Village Vanguard with Rochard Davis (b) and Roy Haynes (d). Also includes a mess of reissues from his other Cadet albums, even Christmas tunes. This is head-in-the-clouds stuff, but not interstellar. “Cool” guitar jazz.

  • Reviewed by Hemroid The Leader on December 19, 2017 at 4:29 pm
  • Filed as 12-inch,Jazz
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  • Montenegro, Hugo – “Good, The Bad, and The Ugly” – [RCA Victor/ BMG]

    the good the bad and the ugly

    Gunslinger comes to town – Anti-Hero – Famous tunes, very evocative. Ennio Morricone wrote and Hugo Montenegro conducted. Spaghetti drama – one of the greatest scores of all time.

  • Reviewed by Hemroid The Leader on December 19, 2017 at 4:03 pm
  • Filed as 12-inch,Soundtrack
  • Comment on this review
  • Rota, Nino – “Concerto Di Musiche Da Film” – [Cam]

    concerto di musiche da film nino sota

    Nino Rota composed the music for all of Fellii’s great films as well as The Godfather. This record documents a concert that took place in Tokyo on March 22, 1976, featuring Rota conducting the New Japan Philharmonic. Side A features tunes from The Godfather, and B are from Fellini movies.

  • Reviewed by Hemroid The Leader on December 19, 2017 at 3:40 pm
  • Filed as 12-inch,Soundtrack
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  • Bacteria – “28 Trax Demo” – [Regurgitated Semen Records]

    bacteria2

    Kawakami was the guitarist and frontman of Japanese d-beat punk band Disclose until his untimely death in 2007, when he chased sleeping pills with vodka. The same year Disclose put out their first album, 1994′s Tragedy, Kawakami’s secret side project Bacteria released this demo. On this 2015 re-release from Dan-Doh, the original 28 tracks are crammed onto a single side of a slab of pitch black vinyl to be played at 45 RPM. Blown-out vocals like a feral dog shrieking and howling, bursts of destroyed and demented guitar. If it weren’t for the drumming that appears a few minutes in and explodes as the record goes on, you could mistake this for a sludgy, fucked up noise record – a glimpse of Kawakami’s next act with the harsh noise project(s) Blackgoat/Goatworshipper. Filthy, raw, gut churning. Finally, a record that crust punks and noisedorks can all agree on!

  • Reviewed by lexi glass on December 18, 2017 at 7:48 pm
  • Filed as 12-inch,A Library
  • Comment on this review
  • Lord Fyre – “Destruction At 2013″ – [Auris Apothecary]

    lord_fyre

    Droning, lo-fi, semi-bedroom recordings. Lord Fyre uses all manner of oddness to make their music–listen for hippie drums, various guitars, lap steel, viola, rhythm box, bells, tape echo, found sounds, flute, public address system, califone(!), solar feedback, sonic overload… there is even a Tony Conrad LP in the mix, adding violins.
    A2 is an actual song with vocals, chord changes, and lead guitar. A3 and B2 have vocals too, but they seem more random and off the cuff, which fits the droning, stoned-sounding music.
    For the most part, this record will satisfy your need for hazy, laid back, psychedelic drone experiences.

  • Reviewed by Max Level on November 21, 2017 at 7:59 pm
  • Filed as 12-inch,A Library
  • Comment on this review
  • Moffo, Anna – “Incomparable Anna Moffo, The” – [RCA Records]

    the incomparable Anna moffo cover

    Anna moffo turned down Hollywood to attend Curtis Institute of Music in Philadelphia. She got a Fulbright to finish her studies in Rome, where she starred in televised Opera.
    Arias. A1 has bad scratches. Everything else is pretty great. she hits the high notes.

  • Reviewed by Hemroid The Leader on November 21, 2017 at 3:10 pm
  • Filed as 12-inch,Classical
  • Comment on this review
  • Cambridge Treasury of English Prose, The (Vol. Five) [coll] – [Caedmon]

    A marvelous Journey through A bunch of books from the library, read by Cambridge University students.
    Fuck school and fuck grades. Play if you hate the listener. Or if you have the upmost respect for them, whatever

  • Reviewed by Hemroid The Leader on November 15, 2017 at 12:13 am
  • Filed as 12-inch,A Library
  • Comment on this review
  • Hearts & Minds – “Hearts and Minds” – [Astral Spirits]

    a2525909611_16
    Man oh man, does free jazz get more fun than this? I don’t think so. Coming out of Chicago and released on Austin-based cassette label Astral Spirits (“new wave of heavy free jazz”), Hearts and Minds is a trio composed of bass clarinetist Jason Stein (fun fact: Amy Schumer’s brother), keyboardist Paul Giallorenzo, and drummer Frank Rosaly. Giallorenzo often sounds like two players in one, playing bass lines with his left hand while doubling the melody with the right. Other times he’s putting down smooth chords, getting noisy (a la the recent Thollem/Mazurek record), or spinning out tender melodies (check the solo on Irresolute). Jason Stein is the star of the show. A master on the bass clarinet, he can do all the free jazz tricks???clicking sounds, dissonant overtones, rapid-fire passages, circular breathing???but he’s also always melodic and always swinging. On Three for One, he lays down some klezmer-esque wailing over a slinky Sun Ra groove and then leads you down into a dark underworld that slowly fractures and expands before your eyes (ears?). Almost overshadowed in all of this is superstar drummer Frank Rosaly, never flashy, but pushing and pulling behind the scenes and always keeping it groovy. Great, great stuff that will appeal to fans of both traditional and free jazz, as well as prog, funk, noise, +++.

  • Reviewed by Phil Phactor on November 7, 2017 at 10:26 pm
  • Filed as 12-inch,Jazz
  • Comment on this review
  • Kleenrz, The – “Season 2″ – [Self Produced]

    kleenrz

    Witty, dark, gritty, post-apocalyptic horror-core hip-hop. The beats are bangin’ and the rhymes are crammed in there with baffling complexity and frequency. The one or two duds are a small price to pay for the rest of the album.

  • Reviewed by milo on October 25, 2017 at 9:42 pm
  • Filed as 12-inch,Hip Hop
  • Comment on this review
  • Los Siquicos Litoralenos – “Sonido Chipadelico” – [Sham Palace]

    SONIDO

    Los Siquicos Litoralenos (The Psychics of the Literal) present homegrown rural psychedelia from Argentina on “Sonido Chipadelico”. This collection was pulled from various releases and recordings made between 2005 and 2010; all cuts are relatively short, enjoyable, and would serve as an adequate bridge between multiple styles of music. Sounds range from rock-opera-ish to dubby, experimental, and lo-fi.

  • Reviewed by milo on October 25, 2017 at 9:24 pm
  • Filed as 12-inch,International
  • Comment on this review
  • Deathprod – “Treetop Drive” – [Smalltown Supersound]

    deathprod

    Deathprod is the noise-ambient project of Norwegian artist Helge Sten, who is also a member of the avant-jazz group Supersilent. Sten uses the term “audio virus” to describe the variety of sound sources used on this album, including “old tape echo machines, ring modulators, filters, theremins, samplers and lots of electronic stuff”.

    “Treetop Drive” was originally released on CD in 1994 and has been re-mastered by Rashad Becker and re-released on double LP just this year (2017). The sounds are as infectious as ever.

    The first three tracks comprise three movements of “Treetop Drive”, and share many thematic elements, although the moods are quite different.

    Treetop Drive 1 (A) is built around dramatic strings and synths, featuring the violin work of Hans Magnus Ryan. Solemn, repetitive, and trance-like waves washing ashore. Slowly shifting over times, growing more distressed and urgent as the feedback and distortion intensify, and then letting go, returning out to sea.

    Treetop Drive 2 (B) contains the same pulsing overwhelming rhythm, but now harsh and machine-like instead of organic. A call-and-response with metallic grinding shrieks and sub-harmonic bass blasts.

    The last movement, Treetop Drive 3 (C) has a faster pace, almost frantic in comparison with the previous parts. Like a windy, rumbling tornado, and equally bleak. It includes a quick clip of some anonymous conservative ranting about schools today teaching “death education”, likely a PSA for Teachers AIDS.

    The final track, Tugboat (D), is colder and more barren than the rest, like floating far out at sea. The rolling black waves are still present, more still than before but no less ominous. Over time, the danger of the situation unfolds.

  • Reviewed by Louie Caliente on October 25, 2017 at 12:56 pm
  • Filed as 12-inch,A Library
  • 4 comments
  • Pikacyu-Makoto – “Galaxilympics” – [Upset The Rhythm]

    Guitarist Kawabata Makoto of Acid Mothers Temple (oh…my…god) and drummer/vocalist Pikacyu of Afrirampo (OH…MY…GODDESS). That should just about do it. Nine songs of psychedelic madness, some with vocals, some with growls, some with calm, some with guitar and drum onslaught, all with an amazing interplay of rhythm, riff and raw vision. This is a trip without the tab. Check out their live sets on YouTube. Yes please. Explode your head.

  • Reviewed by Naysayer on October 24, 2017 at 12:25 am
  • Filed as 12-inch,A Library
  • Comment on this review


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