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This movie is worth at least one or two watches. Produced by Rza from Wu Tang. FCC on A9, B5, End of B7, B9
Songs in the film that don’t appear on either soundtrack album include From Then Till Now performed by Killah Priest, Armagideon Time performed by Willi Williams, Nuba One performed by Andrew Cyrille and Jimmy Lyons.
The film has been interpreted by critics as an homage to Le Samoura??, a 1967 crime-drama by Jean-Pierre Melville starring Alain Delon. That movie opens with a quote from an invented Book of Bushido and features a meditative, loner hero, Jef Costello. In the same manner that Ghost Dog has an electronic “key” to break into luxury cars, Costello has a huge ring of keys that enable him to steal any Citro??n DS. The endings share a key similarity. Moreover, the peculiar relationship between the heroes of both movies and birds, as companions and danger advisers, is another common theme.
The film contains a number of references to Seijun Suzuki’s Branded to Kill, such as when a bird lands in front of Ghost Dog’s rifle scope, referencing the incident with a butterfly in Suzuki’s film. Ghost Dog shooting Sonny Valerio up the drain pipe is taken directly from Branded to Kill.
Cartoons are used as a motif that parallels plot developments. Handsome Frank watches a cartoon featuring Betty Boop corralling her pigeons moments before Ghost Dog, a fellow pigeon raiser, arrives to assassinate him. Ghost Dog is later seen handling his pigeons in the same manner as Betty. Boss Vargo watches a Felix the Cat cartoon wherein the Professor voices his frustration at capturing the elusive Felix and his magic bag, mirroring the mafia’s inability to find and eliminate Ghost Dog, who carries his weapons and equipment in a black briefcase. Vargo and his daughter, Louise, watch a Woody Woodpecker cartoon in the car, immediately after Ghost Dog has been distracted by a woodpecker while sniping in the woods. The cartoon features a staring contest between Woody and the Grim Reaper. Vargo’s daughter watches an episode of The Itchy & Scratchy Show (in which Itchy and Scratchy threaten each other with increasingly bigger guns, before blowing up the earth) before the equally violent battle which concludes the film.
Recording of Japanese origin, apparently of the soundtrack to a documentary about or made by Jacques Cousteau. Music by John Lurie include piano, reeds. guitar, drum and more – very lovely, watery, and wistful. Jacques’ speaking tracks are inspirational. The tracks of whale sounds will work on their own or with layering – if the cats sitting with me are any indication, the whales will have an eager audience among our non-human listeners. Tracks marked M-1 through M-16 are instrumental music tracks.
rank-stink cheese-grade horror movie soundtrack for COVEN (pronounced like woven not like oven) the legendary failed 1997 short film by Mark Borchardt (see: American Movie). the worst kind of pre-packaged cheap keyboard library music with hilariously creepy bone-chilling interludes. reviewers try to lure you with words like “ominous”, “dilapidated”, and “stark” but don’t be fooled, this shining example of creativity gone wrong is the most satisfying disappointment you’ll ever force yourself (and your listeners) to suffer through. perfect on any playlist and essential for our bulging library of blow-hard overpriced horror movie soundtracks. suck it Death Waltz
The Holy Grail for some, Fatty George (the king of Austrian jazz) and Silke Schwinger, librettist, created this pop psych opera for Austrian television. Televised in 1971, soundtrack recordings were made for radio and television stations only. Telling the tale of a black messiah coming to Austria in the 1970′s, “Trip” (no article, thank you), goes full force as only a 1971 TV popera could go. You want flutes? Lots. And sitar? Of, course. Wah wah guitar. Studio funky sounds with lots of horns. The voice of THe Man. It’s all here and all so groovy. SOOOO GROOVY. The center piece is “White Sand”. Sue Kramer BELTS out the vocals in such a funkified way. She rips it apart. It must have been a show stopper. She even pulls out what sounds like a German version of Sock It To Me. The drum beat that drops halfway through was heavily sampled for funk albums. Listen and you’ll hear why. This whole thing is so kick butt: Naysayer’s Two Thumbs Up.
Strings. Horror! Terror! Suspense… and Fucking!!!
Ronald Stein is most famous for scoring numerous American International horror films. This soundtrack he composed was for the 1970 Richard Rush film starring Elliott Gould, Candice Bergen and Harrison Ford. It’s premise of a social activist and Vietnam war vet, returning to college to get his teaching degree, but stuck in the tumult of rising college campus aggression, fit in with many films of the early 70′s. The Hippie era is dissolving, thankfully, and a more aggressive time is on the rise where everyone is up in everyone else’s face. Everyone is a bit guilty in showing their prejudices and conceits. With this setting, Stein composed a score filled with the sort of folk Simon and Garfunkle sound which questions what is going on. Lyrics are filled with disappointment and a rising anger and rage. The orchestrations sometimes have that carnivalesque, isn’t this all crazy kind of sound. Three tracks with FCC’s are wonderful samples from the film. “Party Scene (Jan)” has Elliott Gould’s character shouting down Candace Bergen in a sexist barrage that is dated and unfortunately not so at the same time. “Vandenberg” is the anti-academy down with the man statement. The instrumental “Pigs Go Home” was sampled by Eminem. This is an interesting document of a soundtrack style that is very specific to this 1970′s period. And yet it still fits for today. The lyrics to “Getting Straight- Main Title” are uncomfortably as meaningful today as they were back then. A minor work of high interest.
Not the soundtrack to the best movie never made, but rather the soundtrack to the documentary movie about the best movie never made. Easily worthy of the visionary Jodorowsky and the transcendent source material of Dune. Meditative, spacey, retro-futuristic, and grandiose. Features analog synthesizer mastery with one or two tracks including voice samples of the great spiritual warrior Jodorowky himself. Although each track is musically distinct the overall theme and instrumentation is consistent, with the exception of tracks “Feyd Rautha,” which features live percussion, and “Total Extermination,” which has some voice/chant work intermixed.
Indie college comedy slasher film soundtrack by local Oaklander Greg Wilkinson. Short pieces of dialog every once in awhile. Mostly cool synthy retro sounds.
This is a re-release of May’s soundtrack to the 1979 Australian movie dealing with the bloody inheritance of Kate. All you need to do is read the track titles to know how she goes from human to vampire, and look at how Side A vinyl goes from red with white (depicting innocence) to a completely red Side B. The Main Title and End Titles are orchestrally beautiful and upbeat, mostly, belying the horror that follows as Kate undergoes her transition. The creepiness is tempered at times by the “ceremony” tracks (A6 and B5), which sound like Gregorian chants, but are actually just gory in the rituals they accompany. This is pretty great stuff.
1980 horror film about a scalping serial killer loosely inspired by the Son of Sam.
Soundtrack to a 1980s German horror film about screwing dead bodies. Straight up orchestral and then suddenly screeching, also droney at times. And piano and strangling/choking sounds. Tribal rhythms and strings. Great to listen to before bedtime.
Recreation/interpretation of the news from the 1906 SF earthquake and fires. Two side longs. Fact checked by the California Historical Society. Sounds are rumbling trolley bells, news announcer, voices narrating, fire. Mostly actors recreating news interviews about damage looting fires and rescue efforts. Mention of actor John Barrymore and one guy pretending to be Jack London. Laughable and horrifying at the same time.
I first saw this movie while frying on mushroom tea so it holds a VERY special place in my heart. Having the opportunity to review the album is a gift which I take very seriously. Brief movie storyline: Peter Sellars (in brownface, or orange depending on the scene) is an Indian actor trying to break into the Hollywood movie scene. Attending the ultimate groovy Hollywood party at the Most tripped out pad (sunken conversation pit, glass walls, sections of the living room that move up and down, the best swimming pool), Sellars literally destroys the place. The bathroom scene seemed endless, but that was when I was peaking so…. There’s a parrot (birdie num num), a painted elephant, go go dancing frug-a-delic, and Claudine Longet (before she shot her ski champion boyfriend but after she left Andy Williams. Longet was a fixture of sorts of the A&M label, Herb Alpert’s project. Anyway…)
Set in the year 2067 Dark Moon#1 is a Music Soundtrack to accompany the observer who may be getting trapped on a journey to a harsher climate of the “Dark Moon” Through the magic of Multi-Media and theoretical physics, experience San Francisco and subsequently KFJC be destroyed by an asteroid that has veered from its course. Transport into the Manga-esque Dark Moon world and be one of the first humans to break the speed of light barrier while the sounds of this soundtrack transfer the data thousands of times that speed via quantum computing. Break down and discover advanced alien technology. All tracks are FCC FREE :) Produced by Freematik except for track 11 which has a dubstep/ digital glitch electronic produced by J.D. Keiser. Key Tracks: (Hip Hop) #’s 2 and 19 featuring Myka 9 of Freestyle Fellowship. (Rap) #4 Featuring AD Kapone, Chunk & Lasro. (Elecectronic) #1 & 8 by Freematik.
1. Dark Moon Theme
Imagine writing and performing the soundtrack music to your father’s autobiographical film. This is exactly what Adan Jodorowsky has done, and he has done it with such lovely finesse that it alternately lifts you with its whimsically happy songs and tugs at your heartstrings with the nostalgic and sadder songs. Not a one on here isn’t a winner in its own way. I really want to see this movie now, but I know I have felt it first through the music. Think lovely orchestration with piano, strings, and up and down transporting through the emotions.
Two disc soundtrack for one of Mario Brava’s least popular films, title translated as Baron Blood. Italian horror film came out in 1972, has castles, woods, resurrecting dead, fog, etc. Side A starts off with normal strings and drums and horn soundtrack, it’s super cheese. Even has some “lalala” vocals. Gets slower and then darker.
–Billie Joe Tolliver
Limited re-release of the soundtrack to this movie about a comatose patient who manipulates the mind of his hot nurse.
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