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Stress Orphan – “Mass Casualty Event” – [Phage Tapes]

stress orphan

Punishing power electronics on this 2016 release from Stress Orphan, the Baltimore-based project of Eric Trude. Global exploitation, mounting frustration, inevitable explosions. Calls-to-arms, guerilla warfare, howling sirens, nuclear attacks, shock waves, body bags.

  • Reviewed by lexi glass on January 31, 2018 at 6:25 pm
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  • Granli, Gaute – “Animalskt” – [Unhinged]

    a0542580326_10

    Norwegian weirdness. Droning off-balance situations with raggedy guitars, voices, and random percussion. Odd things provide odd counterpoint to other odd things. Haphazard slide guitar and incomprehensible vocals throughout. One track sounds like a pair of sneakers tumbling noisily in the dryer. To be honest, I couldn’t really make heads or tails of this CD. Compared to this, the Bren’t Lewiis Ensemble sounds almost normal.

  • Reviewed by Max Level on January 30, 2018 at 11:02 pm
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  • Moskowitz, Joseph – “Art of The Cymbalom, The” – [Rounder Records]

    Joseph moskowitz

    Joseph Moskowitz was America’s premier performer on an unusual and difficult instrument — the Hungarian cymbalom, a chordophone or “zither”. All the classics from many lands. Recordings made from 1916 to 1953. A Dick Spottswood production.

  • Reviewed by Hemroid The Leader on January 30, 2018 at 6:09 pm
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  • Aloha Screwdriver – “Above Snakes” – [Self-release]

    This EP from the three-piece surf band from Alameda, California has four high powered tracks. Lots of skillful playing, loud effects and melody. Excellent 3-D cover and glasses included. Nothing subtle here, thank goodness.

  • Reviewed by Cousin Mary on January 27, 2018 at 3:03 pm
  • Filed as 7-inch,A Library
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  • Miss Massive Snowflake – “Like a Book” – [North Pole Records]

    Miss Massive Snowflake

    It takes a lot to get me psyched these days, but Miss Massive Snowflake does the trick. Talk about your hidden treasures–this CD had been hiding under my front car seat just waiting for me to feed it to a player so that it could feed me with its amazing fresh rock sounds and unique tempo changes (“Goldsworthy” is outstanding in this respect). Jeanne Kennedy Crosby’s bass playing masterfully keeps a rhythm winding throughout every song. Shane de Leon’s clear vocals

  • Reviewed by humana on January 20, 2018 at 4:35 pm
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  • Carson, Brett – “Mysterious Descent” – [Vibraphone Records]

    carson

    Mysterious Descent is described as “a mythodramatic song cycle” based on the “extant texts of the Idnat Ohintsosh-ikh… the only existing records of the Koktimo civilization, the sudden disappearance of which remains a mystery.” I’m pretty certain that this backstory is the invention of trickster Brett Carson, a composer, jazz pianist and fixture in the Bay Area experimental scene. On this work, which debuted at the 2016 Outsound New Music Summit, he is joined by percussionists David Katz and Nava Dunkelman and violinist Mia Bella D’Augelli.

    The piece progresses through twelve movements that are increasingly bizarre. Vocals, sometimes sung in English and other times spoken in invented tongues, conjure a glowing sea goddess that appears while taking out the garbage in the evening and elephants roaming the kitchen while getting a glass of water in the middle of the night. “Song of Vurvmoprinka” ends with a folk dance about a flaming phallus and cosmic vulva (T4), “Song of Urdogravikazhts” drones with violins and voices, then gives way to ecstatic shouting by a spirit who just wants to fuck with us (T6 – FCC), “Song of Dzochanibralk” is a sweeping rhapsody about phosphorescent flatworms, then descends into a wild freakout of chanting, piano, strings and bells, and “Last Song” wraps it up with a lovely kazoo (seriously) anthem (T12). Confusing, absurd and occasionally beautiful – like existence itself, and the weird myths we create to explain it.

    FCC T6 – we’re being fucked with

  • Reviewed by lexi glass on January 17, 2018 at 6:02 pm
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  • Mermen, The – “We Could See It In The Distance” – [Kelptone Records]

    Fine instrumental work from the Santa Cruz band. Excellent playing from the long established trio – Jim Thomas on guitar, Martyn Jones on drums and Jennifer Burnes on bass. Tends toward the mellow psychedelic side and causes us to ask the question – “is this surf music?” I like track 13 for its energy, some other tracks for their hypnotic trance.

  • Reviewed by Cousin Mary on January 17, 2018 at 4:29 pm
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  • ABC 20 [coll] – [Abaton Book Company]

    abc20

    Talk about creativity–this sampling of the first 20 years of the Abaton Book Company label is a treasure trove of radio theater, singer songwriters, soundtracks to movies starring cats (10), quartets, and more. A lot of the tracks are by Marianne Nowottny, whose debut was recorded by ABC when she was only 16. The liner notes are a must read as you listen to the wonderful weirdness contained on this CD. It all makes you believe that coloring outside the lines has not, nor ever will, go out of style.

  • Reviewed by humana on January 14, 2018 at 6:31 pm
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  • Roadkill NYC – “Babe City” – [109 Records]

    roadkillnyc

    What’s not to love about punk rock with rollicking lyrics such as “Stiletto heels could not erase, that girl’s butt was right in my face” (5)? This guy trio packs a hearty punch with these songs that are worthy of many listens. Be sure to check out “Hot Girls Eating Pizza on Instagram” (10).

  • Reviewed by humana on January 14, 2018 at 5:38 pm
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  • Cup – “Hiccup” – [Aaagoo Records]

    cup

    Tym Wojcik is Cup, and these hazy punk songs prove to be more than just a hiccup in his repertoire. Fast-paced guitar works like a jolt to the system in this seventh release from Cup. Songs are 1- to 3-minute bursts of energy. Drink up.

  • Reviewed by humana on January 14, 2018 at 4:16 pm
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  • Remember Karen – “What You Say and What You Mean” – [Self Released]

    remember karen

    I don’t know who Karen is, but this Oakland band pays a fine tribute to her with this release of pop rock goodness. Each song’s lyrics are on the insert, but the vocals are clear enough to make them out. The upbeat guitars and drums provide a fine setting for letting the wisdom of said lyrics sink in. “Afternoon Waking Life” (2), “Slide Collection” (4), and “The Midwest is Boring” (9) will have you bopping and rolling down the window of your car as you blast th

  • Reviewed by humana on January 14, 2018 at 1:22 pm
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  • Two Ways of Pain Part 43 [coll] – [Shit Noise Records]

    Long noise tracks? Yes please! Collaboration from noise artists Stirner and Levy Daal from the Netherlands. First track begins with some weird field recording of people screaming and yelling in another language. Middle has some excited screaming and moaning. Ends with more dialog. Noise over all of it.
    Track two is more chill but not. It’s spoken word with static over it on in a really realistic way. Makes you feel like something is not working. Listeners will love it!
    – Billie Joe Tolliver

  • Reviewed by billiejoe on January 10, 2018 at 1:32 pm
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  • Tough Solar – “Tough Solar” – [Vibraphone Records]

    This is Michael Lenzi on drums, percussion, voice, melodica (key harmonica), and sampler. He is from Chicago and has played in Number One Cup, Gold Medal, The Fire Show, Resplendent, and Lenzi. This album sounds like ethereal feels and sad voices. The looping makes it feel as if we are not alone. Pop sensibility question mark. My favorite track is track 4 Restless Navy.
    – Billie Joe Tolliver

  • Reviewed by billiejoe on January 10, 2018 at 1:29 pm
  • Filed as 12-inch,A Library
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  • Magnetband: Experimenteller Elektronik-Underground [coll] – [Bureau-b]

    magnetband

    In East Germany in the 1980s, replication and distribution of recorded material had to be authorized by the State, and so a rich and creative DIY cassette culture emerged to share the work of artists too weird or too subversive to receive the GDR’s stamp of approval. This scene was the focus of Mannequin’s klangFarBe compilation from 2016 (in our library), and now of this new collection from Bureau B.

    The 14 bands collected here had limited means and limited exposure to bands on the other side of the wall, and so the resulting sounds are wholly unique and varied. Take the Stoffweschel track (T6), a glitchy beat that gives way to a creepy, mechanical circus dub. Heinz and Franz have the East Berlin blues (T3), Der Demokratische Konsum lash out with noisy electro krautpunk (T9, Kriminelle Tanzkapelle bring synth dance rhythms and chopped vocals (T2), Choo Choo Flame features strange vocal stylings that remind me of Anna Homler (T5), Gesichter’s repeating tape loops has a hip hop feel (T11), and Musik zum Weltuntergang wraps it up with a 9 minute high-pitched drone track for the end of the world (T14). Many of the musicians here went on to more well known projects after the wall fell, including Frank Bretschneider (alias A.F. Mobius (T1, T10) and in Kriminelle Tankapelle (T2) and Heinz and Franz (T3)) who founded the klangFarBe label in the 80s and, later, Raster-Noton in the 1990s. Photos of the original cassette artwork and information about the bands are in the liner notes.

  • Reviewed by lexi glass on January 7, 2018 at 8:10 pm
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  • Price, William – “Rush Hour” – [Ablaze Records]

     william price rush hour cover

    Fixed media and electroacoustic music from Birmingham-based composer William Price. Inspired by diverse sources: the abstract paintings of Francis Bacon and Gerhard Richter, the writings of James Joyce and Charles Bukowski, or more abstract concepts such as a practicing musician, discreet gestures, and meditation.

    Intense music that will crawl your mind. Software scopes, aggregates and dissects. Excellent sound design.

  • Reviewed by Hemroid The Leader on January 4, 2018 at 3:06 pm
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  • Ward-Fernandez, Beatrix/Collins, Charlie – “View From The East” – [Found Property Recordings]

    beatrix ward fernandez
    charlie collins

    Found Property Recordings released this CDr?? documenting a 2008 performance in Sheffield, England by Thereminist extraordinaire Beatrix Ward-Fernandez and percussionist Charlie Collins – sounds in space. Architectural. Volumetric. One continuous performance – track breaks to facilitate use.

  • Reviewed by Hemroid The Leader on December 28, 2017 at 2:51 pm
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  • Experiments Part 5 [coll] – [Trashfuck Records]

    Different noise artists. Tracks 1-6 are all the same artist and are really short. They can really be considered one piece and would sound cohesive if one were to play them on continuous. All good solid noise tracks.
    – Billie Joe Tolliver

  • Reviewed by billiejoe on December 20, 2017 at 4:31 pm
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  • Gubaidulina, Sofia – “Chamber Pieces For Bayan, Cela, Organ & String Orchestra” – [Art & Electronics]

    sofia gubaiulina, chamber pieces for bayan, organ, cello & string instruments cover\

    Sofia Gubaidulina (b. 1931) was a Russian composer who pushed boundaries, tonalities, forms and sounds. This displeased the Russian academy. However, she received the support of Dmitri Shostakovich, who championed her work, thereby providing cover.

    Three long tunes, 17, 17, ans 38 minutes. These chamber pieces feature the Bayan, the Russian push-button accordion, a folk instrument. According to banyan player Friedrich Lips, these works, like all works by Gubaidulina, spring from “the collision of two beginnings — good and evil.”

  • Reviewed by Hemroid The Leader on December 19, 2017 at 3:18 pm
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  • Bacteria – “28 Trax Demo” – [Regurgitated Semen Records]

    bacteria2

    Kawakami was the guitarist and frontman of Japanese d-beat punk band Disclose until his untimely death in 2007, when he chased sleeping pills with vodka. The same year Disclose put out their first album, 1994′s Tragedy, Kawakami’s secret side project Bacteria released this demo. On this 2015 re-release from Dan-Doh, the original 28 tracks are crammed onto a single side of a slab of pitch black vinyl to be played at 45 RPM. Blown-out vocals like a feral dog shrieking and howling, bursts of destroyed and demented guitar. If it weren’t for the drumming that appears a few minutes in and explodes as the record goes on, you could mistake this for a sludgy, fucked up noise record – a glimpse of Kawakami’s next act with the harsh noise project(s) Blackgoat/Goatworshipper. Filthy, raw, gut churning. Finally, a record that crust punks and noisedorks can all agree on!

  • Reviewed by lexi glass on December 18, 2017 at 7:48 pm
  • Filed as 12-inch,A Library
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  • Coume Ouarnede – “Celui Qui Vide Les Arbres” – [Mantra Spenta]

    coumeournede

    Coume Ouarnède is the solo project of percussionist Yan Arexis. Previously, Arexis was a member of French folk bands Stille Volk, Sus Scrofa, and others. This project’s title refers to a network of caves in the Pyrenees, and on this 2016 album (the title translates to “those who empty the trees”), the tracks are named for the landmarks and mountain peaks near its ancient tunnels. The sounds draw you into these passages and the surrounding woods, as Arexis attempts to create “the music from the first years of humanity.” Traditional percussion, flute, and stones create a quiet atmosphere (T5, T9), and on two tracks he uses field recordings of the forest (T1, T9). These tracks are very minimal, so much so that the faintest drumming rhythm (T3, T6, T8) or human voice (T2, T3, T5, T6, T7, T8) is a thrill. Supernatural sonic spelunking.

  • Reviewed by lexi glass on December 18, 2017 at 7:14 pm
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