About KFJC
Program Schedule
Specials and Events
Donations and Swag
  Netcast
Music and Playlists
Broadcast Archives
KFJC Music Reviews
  KFJC 89.7 FM
 
Library
Format
Reviewers
Archives
  KFJC On-Line Reviews
What KFJC has added to their library and why...

Luciation – “Darkened Apocalyptic Occult Goat Ritual” – [Posh Isolation]

luciation

Nothing nice or musical about this. It’s inexplicably on Denmark’s hippest Industrial label (home to Damien Dubrovnik and Puce Mary), but it’s not Industrial.

Four lugubrious Black Metal Noise stews of sulphur, encrusted feces, Cthulhu jizz and the high-proof juice of wrung-out livers. Guitar feedback, splattery cymbals, distant riffs and choking. They suck, in a good way, a la fellow travelers Sutekh Hexen, Smoke and Enbilulugugal.

Luciation is an Order of the Nonagram band, which means it features members of Blodfest, Wolfslair, Offerkult, Nastran et al. Anonymous lead guitarist ‘Voktor’ may be a moonlighter from the Noise scene. Who knows?

  • Reviewed by Lord Gravestench on June 14, 2017 at 1:57 pm
  • Filed as 7-inch,A Library
  • Comment on this review
  • Baraki – “Colony Laspberry” – [Worm Interface]

    Baraki: a Pashtun tribe, a village in Afghanistan, a village in Poland or Iran, a commune in Algeria, a Belgian insult for a slob.
    This Baraki, wherever the name comes from, is an accomplished musician out of Kyoto. “Colony Laspberry” is his master class in many styles of electronic dance music, so well done that on a continuous listen, one wonders if this is many groups/projects instead of just one. It’s just one: Baraki.
    Each track is a unique sound: “rock “n job” starts off like classic Japanese electronica pop from the 80′s/90′s. From there it takes off. We get IDM, drill ‘n bass, environmental ambient, rave pounding beats, freak out spinning electronic bouncy mumble, squelch. All the sounds are here. Wow wow wow. Head spinning yes please.

  • Reviewed by Naysayer on June 14, 2017 at 12:03 am
  • Filed as A Library,CD
  • Comment on this review
  • Orb, The – “Alpine” – [Kompakt Schallplatten]

    Does it get much more lovely than this? Maybe, but grasp this while you can. Three pieces of mood by the dynamic duo of Alex Paterson and Thomas Fehlmann, one piece – Dawn- selected as part of Kompact’s POP AMBIENT 2016. The stunning cover of the Matterhorn as double sets the mood for these three contemplative selections. “Alpine Morning” is a meandering electronic soundscape with backward tracked voices, like music for getting ready for a stroll in the great outdoors. “Alpine Evening” sets the beats, distorted sounds and even some squelched yodeling, for a dance club in Zermat, looking out on the famous natural attraction. “Alpine Dawn” starts out with cow or sheep bells, just what one would hear in the small farms surrounding the alpine fixture and then floats, twists and turns luxuriously – music for watching the sun rise? Or maybe it has nothing to do with the Matterhorn at all. Whatever, it’s gorgeous.
    Enjoy.

  • Reviewed by Naysayer on June 13, 2017 at 11:31 pm
  • Filed as 12-inch,A Library
  • Comment on this review
  • Bren’t Lewiis Ensemble – “Cavoli Riscaldati” – [BUFMS]

    lewiis

    A cavalcade of odd sounds, the origins of which are difficult to discern. Are these machines? Organic things? Electronic glitchery? Tape manipulation? Samples of who knows what? Probably all of the above. The first track starts with weirdly percussive monotone vocals and then moves into snippets of dialog about being sick and not wanting to live and bum trips and such. Then you’re in for a treat: two marathons (34 minutes and 25 minutes) of layered sounds that twist and turn and evolve and go all kinds of places and just work really well. The final track is 17 seconds long and totally unnecessary. Inscrutable material overall.

  • Reviewed by Max Level on June 13, 2017 at 9:39 pm
  • Filed as A Library,CD
  • Comment on this review
  • Samartzis, Philip – “Mort Aux Vaches” – [Staalplaat]

    samartzis

    Philip Samartzis is an Australian sound artist, composer, and professor in Sculpture, Sound and Spatial Practice at the Royal Melbourne Institute of Technology. He and Andrew Curtis formed the group Gum in the late 80s to explore broken, looped, and layered vinyl. Samartzis’s solo work focuses digital processing of acoustic and found sounds to construct abstract sound environments.

    This 2003 release — part of Staalplaat’s Mort Aux Vaches series — contains three pieces that mix synthesized and natural sounds in unsettling and often jarring ways.

    Variable Resistance (T1) begins with disorienting binaural clicks, slowly tweaked. The sounds come into focus, crisp and precise, but only briefly. Before long some comforting and reverb kicks in, and more natural noises appear. Echoey drips, gasps, and rasps, like wandering through dark wet steam tunnels with a faulty flashlight. Ends with the sounds of a rough pummeling and wailing, as the track skips and glitches to a halt. The CD is not broken.

    Deconstructed Windmills (T2) is calmer, starting with a long high-pictched buzz, giving way to sterile pulses and tones, like hospital equipment. This is replaced with ominous thuds, algorithmic blips and bloops. Brief interludes of glitchy static puncture the overwhelmingly vast drones.

    Soft and Loud (T3) draws the most on acoustic sounds and recordings. The first movement alternates between crunching, bending, scraping, screaming metal, and utter silence. Organic sounds like gurgling water and crinkling fire mix with synthetic sine wave drones. Low vibrations like bad fluorescent lights. Broken voices. Drum ratatatat. Some moments are actually musical, with rich harmonies and quick repetitive glimpse of a melodies, but there’s always something off — the instruments are not what they seem, almost a mirage.

  • Reviewed by Louie Caliente on June 13, 2017 at 8:51 pm
  • Filed as A Library,CD
  • Comment on this review
  • Solenoid – “Bike/Ingrid” – [Audraglint]

    R-303275-1269513195.jpeg

    Two short tracks of electronica. Bike is jaunty, while Ingrid is intense and beat-driven. Ingrid is my preferred track.

  • Reviewed by humana on June 13, 2017 at 7:28 pm
  • Filed as 7-inch,A Library
  • Comment on this review
  • Lockwood, Annea – “Breaking The Surface” – [Lovely Music Ltd.]

    breakingthesurface

    These are two epic-length tracks, the first commissioned by Thomas Buckner and composed by Lockwood to showcase her vocalizations that call to mind shamanic chants with a large glass gong, wind, and a Cameroonian rattle, among other instruments. Track 2 records the voice of sculptor Walter Wincha, interviewed by Lockwood just over a day before he died at age 30. Interspersed with the interview are field sounds of running on a track. The entire experience is cathartic and mesmerizing.

  • Reviewed by humana on June 13, 2017 at 7:20 pm
  • Filed as A Library,CD
  • Comment on this review
  • Marchetti / Noetinger / Werchowski – “Marchetti / Noetinger / Werchowski” – [Corpus Hermeticum]

    R-195261-1163962129.jpeg

    Live recordings of two half-hour performances of improvised electronics and violin, released in 2000 by the New Zealand label Corpus Hermeticum (run by Bruce Russell of the Dead C). Lionel Marchetti is a French musique concrète/electronic composer who creates studio pieces and improvised live works. This release is an example of the latter, with Marchetti using microphones, tape recorders, radios, and loudspeakers strategically placed to complement the acoustics of the performance space. Jérôme Noetinger is also a French sound artist; both he and Marchetti were students of Xavier Garcia, and have been frequent collaborators since the early 90s. Here they are joined by violinist Mathieu Werchowski. The CD includes an essay from guitarist Michel Henritzi that casts the performances as radical acts: “two concerts that are imploding limits within which our listening is held by the dominant discourse of our market-led era.”

    The Lille performance (T1) opens with a sweep of the tuner dial on an antique radio – sometimes the hint of a broadcast fades in for a moment through the static and woozy, theremin-like feedback. When Werchowski joins in, it kicks off an ongoing exchange between the violin and electronic sounds for a place in the foreground. His frantic, repetitive bowing builds into a fury; later, blares of microphone feedback, blotting out everything around it, dominate as Werchowski brushes on muted strings. An extended lull gives way to another build-up with long pulls of the bow on dissonant double stops and wild electronic chaos. The Turin performance (T2) has many of the same elements, but it is the darker and queasier of the two pieces, with high-pitched whistling and droning feedback creating a persistent tension. Intense listening.

  • Reviewed by lexi glass on June 12, 2017 at 9:28 pm
  • Filed as A Library,CD
  • Comment on this review
  • Skullflower – “Black Iron That Has Fell From The Stars…, The” – [Nashazphone]

    skullflower

    Cythoth staple Skullflower was founded by England’s Matthew Bower (see also: Total, Voltigeurs, Sunroof, Black Sunroof, Hototogisu) in 1988. Frequent member Samantha Davies (Voltigeurs, Black Sunroof) joins him on this 2017 release. which is dedicated to the Egyptian god Set. It’s probably no coincidence that the label is based out of Egypt. This is something like Skullflower’s 30th album. Its full title is ‘The Black Iron That Has Fell From The Stars, To Dwell Within (Bear It Or Be It).’ Okay.

    Three lengthy pieces of instrumental psych guitar played through so many layers of effects, it becomes scary noise… or at least that’s what it sounds like. The credits list ‘Nilotic Delta Slide,’ ‘Pro-one,’ ‘Devices,’ ‘Fire,’ ‘Violin,’ and ‘Salt’ for the instrumentation.

    The sounds are hazy and baleful, like a half-asleep Typhonic beast. The clash of beauty and ugliness found in Skullflower’s music is practically religious in nature, and despite hades of John Cale in the catgut screech and belly-deep drone, no one does string noise quite like this. It has a wailing, seasick quality that reminds me of public mourning. This LP will not surprise Skullflower’s fans, but it will please them. I hope to hear the sidelong B track at least once per hour on KFJC for the next 8 weeks.

  • Reviewed by Lord Gravestench on June 12, 2017 at 7:39 pm
  • Filed as 12-inch,A Library
  • Comment on this review
  • Brizbomb – “Brizbomb” – [Westside Welding and Machine]

    BRIZBOMB-0909

    This album is relaxing to listen to, especially when you consider how it is contains no overdubs, no edits, no anything except an artist and a rack, which is pictured in the poster. The sounds on here are perfect accompaniment for mind musing and expansion.

  • Reviewed by humana on June 12, 2017 at 11:49 am
  • Filed as 12-inch,A Library
  • Comment on this review
  • Eastman, Julius – “Femenine” – [Frozen Reeds]

    Julius_Eastman

    Julius Eastman was a black gay composer/vocalist in late 70s/early 80s New York, performing and recording with the New York Philharmonic and Meredith Monk and others. He suffered from mental illness, the super threw all of his stuff out on the street in ’81 and 9 years later he died in obscurity at a in Buffalo. Scholars have been putting the pieces together since then.
    This concert was in 1974 in Albany. 12 or 15 performers memory is hazy. At the performance soup was served and Eastman wore a dress. A mechanism of Eastman’s invention plays sleigh bells for about 70 minutes. The vibraphone hammers out a motif that is expanded upon by the ensemble. In Eastman’s words, “the end sounds like Angels opening up heaven … euphoria.”

  • Reviewed by Hemroid The Leader on June 11, 2017 at 8:36 pm
  • Filed as A Library,CD
  • Comment on this review
  • Bralove, Bob/Kaiser, Henry/Muir, Chris – “Positively Space Music” – [Fractal Music]

    bralove

    One synth keyboard and two guitars, in the hands of 3 close friends and master musicians. Guitarists Henry Kaiser and Chris Muir have been playing and improvising together for over 40 years (this album includes a track by the duo recorded in 1977). Here the pair are joined by keyboardist Bob Bralove who has worked as sound designer and digital music technician for Stevie Wonder and The Grateful Dead.

    “Positively Space Music” is a genre-bending double CD packed with a wide variety of influences, including jazz, funk, ambient, and prog, all done in a very psychedelic spaced-out style. The trio fully embrace the wavy synth sound, and at times teeter on the edge of an 80s kitsch vibe. However, the group’s phenomenal musicianship and almost telepathic communication keeps things moving forward, pushing boundaries and exploring uncharted territories of Space and Music.

  • Reviewed by Louie Caliente on June 11, 2017 at 2:47 pm
  • Filed as A Library,CD
  • Comment on this review
  • Svarrogh – “Yer Su” – [Ahnstern]

    yersu

    Yer Su vain, you probably think this album’s about you.

    Until 2007, Dimo Dimov’s project Svarrogh was a Pagan Black Metal band exhibiting a fierce devotion to the folklore of his native Bulgaria. More recent work, however, has been closer to the Neo-Folk universe, bringing Dimov into Austria’s Ahnstern Records circle (see the ‘Oak Folk’ compilation CD). These days he resides in Germany and plays in Sturmpercht.

    He seems to have a fairly deep understanding of the traditional musical forms present in his country. 2008′s ‘Yer Su’ (the name refers to nature spirits in the beliefs of Tengrism, an ancient Eurasian religion) is not ultra-traditional folk music, although it is clearly informed by that tradition. Vestiges of the old Metal sound appear in the form of heavy electric guitars on most tracks and the occasional growl (t.s 2, 3, 7), but mostly this is heavy, Gothic Folk-Rock with a Slavonic flavor, reveling in dark nature worship and alienating stylistic touches: the deep, deep male croons, the scratchy fiddle and clarinet, the aggressive acoustic guitar strumming, the Industrial beats (t.s 5+12), the field recordings, and a dense, unmastered psychedelic sound. I think there’s tamboura, too. T. 11 is a long instrumental.

    In addition to Bulgarian you will hear Lithuanian, Italian (t.3, from Der Feuerkreiner’s ‘Valentina’), and English (t.7, from Allerseelen’s Marcel P.). The cute young girl on the cover seems to be a good example of the interesting Bulgarian phenotype. This multifarious CD has potential crossover appeal to non-metalheads, etc.

    “A wreath for Veles among the cliffs. Dark, deep water dwells there. Bees humming a secret song. Never withers, never ends.”

  • Reviewed by Lord Gravestench on June 7, 2017 at 6:24 pm
  • Filed as A Library,CD
  • Comment on this review
  • Action/Discipline – “Recursive Slash” – [Oxen]

    actiond

    Startling iterations of tormented Industrial-Harsh-Noise demonomantical ecstasy from Ohio, 2017. Stefan Aune and Brad Griggs bring you abstract expressions of the modern world’s violent chaos, which is really the point of L.A.’s Oxen Records, isn’t it?

    On each 10-minute ordeal, The blaring cacophany occasionally resolves itself into brief, satisfying rhythmic passages, perhaps accomplished with a delay or loop pedal. Some thicker electronic tones are occasionally allowed to escape, but the gunky tape noise high end static sound is favoured throughout. Overstimulating and dirty, with a careful method hidden behind its indistinguishable sonic mess. Maybe.

    The Oxen website compares this to Japanese ground floor noiser MSBR. Other influences include broken glass, tsunamis, junkyards and heavy machinery mishaps.

  • Reviewed by Lord Gravestench on June 7, 2017 at 12:48 am
  • Filed as A Library,Cassette
  • Comment on this review
  • Fall, The – “Wise Ol’ Man” – [Cherry Red Records]

    It’s the 21st Century and The Fall still push forward. This 2016 EP features 2 new songs, the title track plus “All Leave Cancelled”, alternate takes plus remixes of several songs from 2015′s Sub-Lingual Tablet plus a rare live version of “No Xmas For John Quays” recorded in 2014.
    Impressive stuff. Visceral and tight instrumentation pounding forward and driving the repetition which never seems to feel redone. But Mark E. Smith. WOW! As we age our voices change, our manner along with it. Smith is still Smith but boy that voice. His classic shout not sing style of thick accented vocalizing has turned into mumbled spewing, garbled growls and some of the most frightening yowls, howls and old man scream shouts. What is beyond rage? That’s the sound. Amazing. Keep your kids away, but it is superb.

  • Reviewed by Naysayer on June 5, 2017 at 11:17 pm
  • Filed as A Library,CD
  • Comment on this review
  • Oliveros, Pauline & American Voices – “St. George and The Dragon/In Memoriam Mr. Whitney” – [Mode]

    This early 1990′s recording of Oliveros comes during her deep listening period. Having gone to the Pomfret School in Connecticut on invitation from American Voices director Neely Bruce to lead a Deep Listening Training, Pauline took time to sit in the Chapel on the school grounds. It was known for it’s interesting acoustics which interested Oliveros. It was here that the two selections on this CD were formed. “St. George and the Dragon” is inspired by the statue of the same name which sits in the Chapel. Oliveros, playing accordion, evokes the spiritual battle between Saint and Dragon. Her long phrases, held out to mysterious length, reverberate within the Chapel. Listeners must take time with this 47 minute piece of meditation and beauty. “In Memoriam Mr. Whitney” is a heartbreaking work performed with American Voices. Accordion slowly plays while the vocalists, including Oliveros, call out the names of their loved ones who have passed on. The vocalists were encouraged to walk about the Chapel while saying the names. We hear their movement throughout. It is haunting to hear someone call out “Mamma”, “Grandad”, or nicknames of people. The intimacy along with Oliveros’ accordion are sometimes staggering in their quiet. A unique gift to our station.

  • Reviewed by Naysayer on June 4, 2017 at 9:43 pm
  • Filed as A Library,CD
  • Comment on this review
  • Barbwire, Mike & The Blue Ocean Orchestra – “El Surfista De Mambo” – [Sleazy Records]

    Mike is the lead guitar of the Swedish surf band The Barbwires. Here he gives us a nice single that combines surf, Latin beats, and exotica. All this on a Spanish record label – fun!

  • Reviewed by Cousin Mary on May 31, 2017 at 4:00 pm
  • Filed as 7-inch,A Library
  • Comment on this review
  • Sammartano, Ray – “Dream Switch” – [Self-release]

    Analog synth and public domains sounds.
    Spacey sparkly pretty with some indecipherable low vocals.
    From Eugene, Oregon.
    - BJT

  • Reviewed by billiejoe on May 31, 2017 at 2:13 pm
  • Filed as A Library,CD
  • Comment on this review
  • Bastard Noise / Brutalomania [coll] – [Skull Records]

    Noisy oh my gosh and screaming vocals about veganism and animal rights. Good stuff. Brutalomania is a solo noise artist who has worked under many different aliases such as Cadaverizer Noise, Feral Squat, and Manuel M. Cubas.
    Bastard Noise of course is a California group founded by Eric Wood, Henry Barnes, and WT Nelson. They’re discography is quite extensive. They have been making noise since the early 90s and have worked with countless other artists.
    BJT

  • Reviewed by billiejoe on May 31, 2017 at 2:12 pm
  • Filed as 7-inch,A Library
  • Comment on this review
  • Endvra – “Watcher, The” – [Old Europa Cafe]

    creepypasta

    Endvra (or Endura) were a Death Ambient duo from northern England active from 2001 to 1993. This 1998 CD was their last album. Its single 50-minute track starts out very quiet but gets very loud at times, presenting an interesting mixing challenge.

    It’ll make ya nervous… Pulsing sub-bass, sewer drippy-drops, lush synthesizer orchestra, and every now and then the Death Train passes us as we wander dank subterranean passages full of strange rituals and malevolent non-human intelligences.

    Very much about subliminal horror, almost like a Robert Aickmann story. The vibe goes with Megaptera, Stratvm Terror (another band with a ‘v’ that is actually a ‘u’) or Asmorod.

    Stephen Pennick now records as Ontario Blue, while Christopher Walton works as TenHornedBeast.

  • Reviewed by Lord Gravestench on May 31, 2017 at 12:05 am
  • Filed as A Library,CD
  • Comment on this review


  • « Previous PageNext Page »

     

     Copyright © 2017   KFJC 89.7 FM
    12345 S. El Monte Road   Los Altos Hills, California   94022   phones