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What KFJC has added to their library and why...

Trashies, The – “Octagon, The” – [Fine Concepts]

The place where the spastic stuck is where The Trashies
spot-welded their sound on your heart-shaped ears. They
step into the album like Chuck Norris into a rap battle,
in-it-to-win-it. The opening title track gives you
a little taste of the waste floating in the Trashies
stream of conciousness. Rhyming slang to put your mind
in a sling, and not afraid to play the Buttafuoco card.
Is this where hip hop meets gunk rot? Music escapes from
the drum machine circus, with an array of guitar moves
that might bust out twin-lead Thin Lizzy, or might break
off some thick and stumbly Beefheart chunks. Just because
the dork-o-meter is set on 11, doesn’t mean these itty
bittie ditties aren’t big on style. Of course most songs
come at your quick like a UFC round, 2 minutes is a long
one. This sure scratched my old Uzi Rash itch, sure enough
mighty Max Nordile is in the dumpster band. Erin Allen plays
something too, probably lots of somethings. Album
finishes strong, that “I’m Uh Stayn” and “Shovel” tag
team is a killer. Crazy choruses on both, “Shovel” offers
a sing-along for an asylum, while “Stayn” almost sounds
like he’s saying “Namaste” while a voice over like like
the Weatherman corrects the phrasing. “Fresh Hunny”
drips with sweat of a 100 Prince impersonators. Steel
dum-drums (sampled?) on “Rhinoline” are just fine, and
“Dumb 2 B Smart” is a loaded potato for this old spudboy.
5 Thumbs Up, and venom in my eye! -Thurston Hunger

  • Reviewed by Thurston Hunger on February 17, 2018 at 4:22 pm
  • Filed as 12-inch,A Library
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  • Tapes & Topographies – “Fathoms” – [Simulacra Records]

    Ambient exercises out of Dallas, TX. Todd Gautreau is
    the mixmaster and electro-navigator aboard this one-man
    sonic submarine. Standout track “The Trouble With Dreams”
    features waves of tone mingle with washes of antenna
    signal squiggle, and even some vox mermana drift by as
    well. Death by water never felt so good. Buoyant chimes
    and gentle climes. Bathysphere organ and actual sized
    bubbles rise on “Theory of Impossible Shapes.” Mystic mists
    for the noise-sick KFJC-serpents? Based on the name,
    I wonder if there are more field recordings nestled into
    the songs? By the way his earlier project “Tear Ceremony”
    has a darker Agent Cooper bent, though still soothing and
    KFJC has two of those fine releases worth revisiting. All
    on his own Simulacra imprint, along with the Crushed Stars
    project that he fronts for some Slowdive-y pop pastels.

    Gautreau is one busy being, but this is the project to help
    him, or you unwind. Sink into the syrup synth sea.
    -Thurston Hunger

  • Reviewed by Thurston Hunger on February 17, 2018 at 4:20 pm
  • Filed as A Library,CD
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  • HMS – “Tetrad” – [Astral Spirits]


    Yes, it’s another genre-defying release from the folks at Astral Spirits. Climb aboard the HMS Tetrad! You’ll find delicate drumwork, disembodied violin, and other things too, but mostly there is just the deep, dark vastness of the sea. These tense and drony soundscapes bring to mind a darker, fuzzed-out version of The Necks, and that’s high praise as far as I’m concerned. Retriever (T2) is the highlight.

  • Reviewed by Phil Phactor on February 14, 2018 at 2:04 pm
  • Filed as A Library,Cassette
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  • Similar Fashion – “Portrait of” – [Self Produced]

    a0358072816_16

    Dancey, sunny, art-pop from this L.A.-based quartet led by Logan Hone, whose solo album recently sailed through Current. There’s a west African feel to a lot of these tracks, and an Arthur Russell feel as well. The pop song format gets turned upside down and inside out and spiked with ??some delicious bits of free improvisation, but the groove is never far away. Logan Hone’s earnestly weird lyrics evoke the joy of living in California and the joy of living in general. If this doesn’t put a smile on your face, there’s probably something wrong with you.

  • Reviewed by Phil Phactor on February 14, 2018 at 2:03 pm
  • Filed as A Library,CD
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  • Godspunk Volume Two [coll] – [Pumf Records]

    godspunk

    You know the drill. We have several (here here and here) of these compilations from the Blackpool UK artists’ collective in our library – now here’s Vol. 2 from 2004. Godspunk regulars Howl in the Typewriter bring seven minitracks, all named “Here Comes the Butterfly”, plus some fuzzed out rock (T1 and T34). Unit offers five hits of deranged art pop that reminded me of old Deerhoof stuff (T27-31), Pinkeye features female vox and weird electronics (T11-17), the Las Vegas Mermaids sing to some insect dance tracks (T8-9), LDB space out with melodic brithop (T2-4). Gays in the Military might have the best entry with a track of pissdrinking punk that should not be played during daytime (T6 – FCC).

  • Reviewed by lexi glass on February 13, 2018 at 8:48 pm
  • Filed as A Library,CD
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  • Hype Williams – “Han Dynasty I” – [De Stijl Records]

    hype

    Hype Williams is a joke band with a joke name, but it’s the 2010s, when jokes can lead the free world or make the Album of the Year list on your dad’s favorite alternative music website. This 2009 7″ from de Stijl brings us back to where it all began with Dean Blunt and Inga Copeland. Why music snobs lose their shit over these two is something I have never understood, and these tracks don’t really shed any light. The A side of haunted dub is the best, the B side is a lo-fi smoky synth melody with a fake ending. And the jokes don’t stop – play this 7″ at 33 1/3.

  • Reviewed by lexi glass on February 13, 2018 at 8:48 pm
  • Filed as 7-inch,A Library
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  • Usufruct – “Windfall” – [Vauxflores Industrial]

    usufruct

    Usufruct is a super interesting local project. Polly Moller Springhorn and Tim Walters bring us an unpredictable mix of flute music, vocals in different styles, and computer glitchery. Tracks 2, 4, and 5 are my favorites–heavy on electronics and processed flute sounds. Track 3 is pretty much all spoken word–it’s dramatic and tense and not really my cup of tea; however I do like the reverberating electronic sounds that accompany it. Truly avant-garde stuff here.

  • Reviewed by Max Level on February 13, 2018 at 8:36 pm
  • Filed as A Library,CD
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  • McGurdy, Ed – “Best of Daliance, The” – [Rhino Records Inc.]

    If the word “titillating” makes you blush or gives you a chub, this album’s for you. Naughty. Bawdy. Tawdry. All these “aw” sounding words to help explain “The Best of Daliance”, taken from a series of albums put out in the 1950′s on the then new Elektra Records, based on the 18th century songs of Elizabethan writer Tom D’Urfey. Put together and sung by Ed McCurdy, a 1950′s Greenwich Village fixture and naughty sort in his own right, these songs are all suggestive larks describing couples… or trios… or groups of people enjoying themselves in the best way possible. Lots of lines about “stoking the fire”, his long pole pushing into the oven, the maidens cherry complexion loosing it’s color and on and on. Blacksmiths must have been having sex all the time. Career change at 55? Possibly. The musical interpretations are smooth, taking us back to the early 1700′s when there wasn’t much to do but constantly milk the cow. Alan Arkin plays flute!!!! and Erik Darling, later of the Weavers, plays banjo, taking the place of lute. The CD cover is pink fuzzy suede. Go figure.

  • Reviewed by Naysayer on February 12, 2018 at 10:02 pm
  • Filed as A Library,CD
  • Comment on this review
  • McGurdy, Ed – “Best of Daliance, The” – [Rhino Records Inc.]

    If the word “titillating” makes you blush or gives you a chub, this album’s for you. Naughty. Bawdy. Tawdry. All these “aw” sounding words to help explain “The Best of Daliance”, taken from a series of albums put out in the 1950′s on the then new Elektra Records, based on the 18th century songs of Elizabethan writer Tom D’Urfey. Put together and sung by Ed McCurdy, a 1950′s Greenwich Village fixture and naughty sort in his own right, these songs are all suggestive larks describing couples… or trios… or groups of people enjoying themselves in the best way possible. Lots of lines about “stoking the fire”, his long pole pushing into the oven, the maidens cherry complexion loosing it’s color and on and on. Blacksmiths must have been having sex all the time. Career change at 55? Possibly. The musical interpretations are smooth, taking us back to the early 1700′s when there wasn’t much to do but constantly milk the cow. Alan Arkin plays flute!!!! and Erik Darling, later of the Weavers, plays banjo, taking the place of lute. The CD cover is pink fuzzy suede. Go figure.

  • Reviewed by Naysayer on February 12, 2018 at 10:02 pm
  • Filed as A Library,CD
  • Comment on this review
  • K2 – “Rainy Tritium 1″ – [Oxen]

    k2

    A one hour noise odyssey from genius of the genre Kimihide Kusafuka, brought to us by LA’s Oxen. In these three works, K2 finds a sonic idea, stays with it for a moment, then moves on to the next – the effect is like moving through the world with your senses amplified a millionfold. “Pollution with Huge Lies” (T1) builds from isolated drones and signals into massive torrents of sound and a sense of impending catastrophe. “MOX” (T2) explores rough-textured static, but later on almost melodic phrases appear. “Unpeaceful Song For Rainy Tritium” begins peacefully enough, like an unsuspecting nature scene, until it is slowly swarmed by radioactive plumes and ensuing mayhem. Masterful.

  • Reviewed by lexi glass on February 7, 2018 at 6:17 pm
  • Filed as A Library,CD
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  • Nadek, Josef – “Bluatig Hart” – [Fall Into Void Recs]

    josef nadek

    On this 2014 cassette EP, noise artist Josef Nadek draws inspiration from the ancient folklore of his native Austria. “Wâldgeischta” lures us into the forests, with field recordings of birds singing as dark ambient echoes settle in the trees (T1). This moves into the mysterious, minimal rhythms of “Nimma dâ” (T2) that blossoms into full-on seething noise on “‘s wilde Gfâhr” (T3). The dust settles on the final ambient track “D’ Bluatig’n,” (T4) electronic groans and growls from the spirits as they disappear back into the woods.

  • Reviewed by lexi glass on February 7, 2018 at 6:17 pm
  • Filed as A Library,Cassette
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  • Delstroyers, The – “Diabolical!” – [Hell Hop Records]

    Thirteen original tracks from this Seattle based instrumental surf trio are a lot of fun. Well played, it is unmistakably surf music with a modern twist. Some horror, Spanish touches with a reverb crash here and there. Good energy, danceable.

  • Reviewed by Cousin Mary on February 7, 2018 at 12:57 pm
  • Filed as 12-inch,A Library
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  • Ostertag, Bob – “DJ of The Month” – [Seeland Records]

    Bob Ostertag is a true Renaissance Man: author, professor, political activist, composer, electronic musician, journalist, creator of his own software based laptop instruments and more. His work stands out for its uniqueness, creativity, political stance, beauty and challenging qualities. “DJ of The Month” is a 40 minute single track of electronic onslaught and subtlety, mixed together and separated. Sounds flash past and reverberate around and through the listener, taking them on a unique meditative journey. It does become hypnotic in its movement of sound. The piece is meant as a meditation requiring focus and concentration. I know a few of the DJ’s who will play the whole thing. So worth it.

  • Reviewed by Naysayer on February 7, 2018 at 12:30 am
  • Filed as A Library,CD
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  • Armando – “Trax Classix” – [Trax]

    R-412928-1138977184.jpeg

    Little did the Roland engineers designing the TB-303 for lounge band as a bass guitar emulator know that it started the acid house genre with the squealchy bass lines. Armando Gallup was indeed one of the Chicago acid house pioneers, his Land Of Confusion — on this collection — became a hit both in US and Europe. He was also one of the co-founders of Warehouse Records plus a busy-bee organizing parties and much more. This is a collection of r

  • Reviewed by Kai Sync on February 6, 2018 at 11:46 pm
  • Filed as A Library,CD
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  • She Didn’t Respond – “Chagamole EP” – [Shplargnarf Records]

    she didn't respond

    She Didn’t Respond is Patrick Harsh (aka Fuckmaker) working with someone named IZFERNOR, of whom I know nothing. If you have been craving an adorable little 3″ package of relentlessly harsh/ugly noise, here you go. Actually I’m not surprised that she didn’t respond–I’m guessing she is probably dead.

  • Reviewed by Max Level on February 6, 2018 at 9:02 pm
  • Filed as A Library,CD
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  • Battles – “EP C/B EP” – [Warp Records Ltd]

    Battles: math rock, post rock, art rock. Whatever. These two EP’s from 2004, brought together as a double album, are Battles as a foursome, including Tyondai Braxton. That’s early Battles. Exquisite interplay of guitars, bass, keyboard and drums, spilling out patterns, breaking them apart, overlapping, interpreting, adjusting. This is the project at it’s beginnings, establishing a foundation of what would follow. Calculate away.

  • Reviewed by Naysayer on February 6, 2018 at 8:41 pm
  • Filed as 12-inch,A Library
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  • Fuckmaker – “Untitled” – [Trashfuck Records]

    fuckmaker

    A seething bundle of ear-shredding noise from Trashfuck. If you took a Masonna record and a Government Alpha record and played them both extremely loud at the same time, you would eventually wonder why go to all that trouble when you can just put Fuckmaker on instead. The man behind the Fuckmaker curtain is named Patrick Harsh, and that might tell you all you need to know about this CD. Track 4 is not as harsh as the other tracks but it’s no walk in the park either.

  • Reviewed by Max Level on February 6, 2018 at 8:35 pm
  • Filed as A Library,CD
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  • Kotra – “Freigeist” – [Kvitnu Records]

    Kotra is Ukrainian artist Dmytro Fedorenko. Album title Freigeist means freethinker in German. He is known for his abstract performance based pieces. This sounds like moody basey beats. It rattles your rib cage.
    – Billie Joe Tolliver

  • Reviewed by billiejoe on February 6, 2018 at 2:31 pm
  • Filed as A Library,CD
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  • Computer – “Internet” – [Skrot Up]

    This is an album called ‘Internet’ by an outfit calling themselves ‘Computer,’ and well it sounds exactly like you think it would. Which is to say, cliched synth squiggles, slapdash Youtube sampling, text-to-speech, wrong-speed experiments, gratuitous power chords, all chopped up and run through Ableton by a pair of millennials on an Adderall/weed bender. Another reviewer writes: “just a big dump of digital trash that cannot be avoided.”

  • Reviewed by Phil Phactor on January 31, 2018 at 7:14 pm
  • Filed as 12-inch,A Library
  • 1 comment
  • Head Dress – “Devil’s Triangle” – [Castle Bravo]

    cover

    Analog transmissions from Head Dress, the project of Ted Butler from Los Angeles (he’s also behind the underground cassette podcast Norelco Mori). This 2017 cassette comes to us from the newish experimental tape label Castle Bravo out of Lafayette, IN.

    Three modular synth works with a focus on rhythm and drone. Sonar pings from a black box on the ocean floor, repeating pulses like a code beamed from a distant source. Ringing drones that flow into beats from alternate dimensions mutating into minimal almost-techno by the end of “Blake’s Ridge” (T3). Disappear into the Devil’s Triangle.

  • Reviewed by lexi glass on January 31, 2018 at 6:25 pm
  • Filed as A Library,Cassette
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