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(Out of sight) Jazz Lp
Reviewed by scrub on
October 13, 2005 at 12:05 pm
Filed as 12-inch,Jazz
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‘One morning I waked up very early[?]?
The architecture of the compositions feel cosmological, as if it were an ancient worldview, and as if in a place like hawaii where you can see the sun rise so much earlier, the title which translates as I quoted (and is on the cover), and which the adjacent front cover picture expresses quite well, that it seems the music was made, as the sun refreshes the sleep deprived when they are at their most fatigued, earlier than ever waking up for, and later than stay awake for, which seems to bind into certainly the motif of the starter track, also the title track, but also in the variations of that motif, in each following track. Of course the album is not as saddingly catchy as that first motif, and real as it is, with that folk, being old kind of sadness, that dependency in a melody, the sort of plaintive whistle of overwork and depressing relationships, the rest of the album is really great, phase developing, jazz. The piano, by Fernando Martins, who recorded this year, 05, under the Fernando Martins Trio, a self titled work, released on the DeLira Musica label based in Brasil (http://www.deliramusica.com/ , goto catalogo, which is the catalog of their releases simply enough, which is alphabetical, by first name of the band leader, which has two poor quality samples), has quite a Matthew Shipp “Pastoral Composure” (Matthew Shipp Trio, ’00, Thirsty Ear release), first impression (especially Ponte lo), but certainly the intent behind the repetition similarities, for example, are different, Nelson Serra de Castro (Drums) plays like he knows Martins does not want an over interpretation of his lines, although the piece does phase, and alter significantly, and although the pieces may be more preconceived prior to this record of the work as released. This is not difficult, but it is not predictable either. There is a strong groove to all four partitions. As to Moncur, this is certainly a place apart from (Moncur, Grachan – “Evolution” [Jazz]) and “Echoes of Prayer”. This central divergence would have me recommend this as essential listening for a tour of Moncur’s output (you might want to check out this discography, http://perso.wanadoo.fr/hardbop/Moncur.htm ,but i don’t vouch for it). The title track I can not live without, but what melodies are personally strong for me, might not work for you.