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This is a duo based in Grenoble, brothers Eric and Marc Hurtado originally from Morocco. This album was a CD released in 1991. This is a remastered 2016 release. Creepy whispers in French, swishes, smacks, crackles, stomps, tinkles. Very sinister. Even the laughs are not comforting. Royaume means kingdom in french. Aimant means magnet. Matin means morning. There’s some writing online about how it’s taoist and has to do with the four elements. Interpret as you will. More in the library for you to chew on.
Freak out rock guitar and drums. Screechy bangy. Tony Irving on drums and Stefan Jaworzyn of Skullflower and founder of the label Shock on guitar. Two side longs. Recorded in 1994.
No, it’s not the name of my upcoming memoir. This is Matt Purse aka Fenian. He’s also in Remainderless. Short short short but tasty nibbles of noise. 23 tracks is 8:40 on side a and 6:30 on side b. It’s all good together.
It’s not your grandma’s cooking. It’s Nico Pasquini from Italy. Lap steel guitar and analog organ. Sounds like electro industrial noise. Nice crunch with a side of beats. It’s really quiet so turn it up!
Scum (sou inomoto) is from Tokyo. It sounds like harsh noise and is a self-described cut up noise project. Scum has been making these audio assaults since 2010. “Unconscious disharmonic malfunction.” Side a is a healthy 17:15 and b is a decent 10:00 or so.
Trio of UK metal dudes Mike McKenna, Geif Al-Robei, and Kunal Nandi.
Techno feels. Male falsetto. Norwegian guitarist who has worked with Jagga Jazzist and Puma. This album is on stylish white vinyl. He is described as a jazz artist but I don’t hear the jazz on this piece. I hear looping electronics and noisy guitar and high pitched ballady vocals. All him. B side is best.
Synth and strings creating ambient drone and subtle melody. Her voice is not front and center but it is there. Jakobsons studied piano at Case Western before getting her MFA from Mills College. She is also an installation artist working with video and photographs and is based in Oakland. We have more of her work in the library.
Doomy droney fuzzy spacey twinkly bright heavy deep meaningful. Self-described, “Improvised space age explorations” from Sindre Bjerga and Claus Paulsen from Copenhagen. I really liked it and want more, something that doesn’t happen that often.
Establish drone artist and professor of computer science Catherine C. Hennix from Stockholm and her ensemble Chora(s)san Time-Court Mirage. She has studied with the musician Pandit Pran Nath. This is an 80 minute track of vibrant tones. It’s a live performance of a mix of electronic and non-electronic instruments. Indian inspired sitar sounds along with chanting (sanskrit?) vocals that mimic the oming instruments and chirping/humming horns. Namaste.
Self-described avant-garde doom post-metal industrial artist. Sounds like dark electronic rhythms. This album is a brand new release and the first from this artist in our library. Metal inspired beats that have the potential to appeal to multiple palettes.
Spanning six decades of work. Twirly synth, crunchy noise (track 2 disc 1), electronics, fluttery snaps (track 8 disc 1), low drone (track 3 disc 2), crackles, field recordings (track 6 disc 2), crackly texture (track 12 disc 2). All around good stuff. Artist profiles in the booklet.
Italian experimental sax jazz released in 2008. Dueling beeps chirps fuzz and standard melody. Slow paced. Keeps you on your toes.
AKA Charles Lareau and Voost Vistz. Field recordings. Garbled windy gobbledygook but good! Motorcycles, bar (including juke box music), subway loudspeaker, piano, street chatter, train moving across track, and other tasty treats.
Two discs of some excellent experimental artists from Japan. Electronic blippy bloops, sonic pointillism, feedback, piano, noise, drums, skipping cd and skipping vinyl sounds, ear piercing vocals, ukulele, singing children…
Drone doom metal from Belgium that will rattle your brain and launch you into a nebula. Heavy without being overpowering. Features bell tolling and birdies. The second track is a very comforting 42 minutes.
Ambient tones with sparkly clanging noises. Canadian poet and musician also of Nadja, ARC, and Mnemosyne. Track three has horror film vibes. All tracks will get their time on air.
Started by the Milwaukee kids from Boy Dirt Car. This album is from 1993. Noise jazz with reading/spoken word about ethnic cleansing and bombings of cities. Bells and horns and synth sounding like airplanes. Tribal drumming. Non sequiturs about hot dogs and martinis and fatness. Creaking door sound that goes on too long on track four is amazing. Track nine gets bluesy. Track ten is the crunchiest.
Spacey cooing. Some trancey beats and vocalization, like Gregorian monks chanting. Or a didgeridoo. Tat tvam asi is sanskrit for “thou art that.” German electronic goodness without an “uh” at the end. Kind of.
This non-profit has been supporting experimental artists since 2002. This album is a taste of the performances to come this week. Plenty of delicious skronky horns and playful sounds. I like track three, Brandon Evans, for some heavy brass and track nine, IMA, for its out this worldness.
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