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Djordjevic, Milica – “Deutscher Musikrat” – [Wergo]

Serbian composer Milica Djordjevic (JOR ja vitch) was born in 1984 in Belgrade. 7 intently focused unpackings: thorough examinations of musical structure. Melody, harmony, rhythm, and many other conventional musical concerns are in the background. Stasis, tension, upheaval. The liner notes talk about it as crashes and reboots.
Track 1 commissioned and performed by the Arditti Quartet. Notations in the score include unpitched/noise bowing, highest possible tones, bowing on the bridge, huge glissandoing.
Well Organized.

  • Reviewed by Hemroid The Leader on August 16, 2017 at 5:53 pm
  • Filed as A Library,CD
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  • Ear Spray – “Live Sprays” – [Self Produced]

    IMG_20170813_193027

    Ann O’Rourke, Carlos Jennings, and Mark Pino have been performing together as Ear Spray since 2010. This self-released, hand-painted CDR collects recordings of the noise trio’s live performances from 2014-2016 at local venues The Stork Club (T1), LCM (T2), and the Second Act (T3).

    O’Rourke is a percussionist, vocalist, and video artist who came to the world of free music later in life, discovering her love for strange sounds by playing drums in a free jazz group, taking operatic voice lessons, and singing in the Cornelius Cardew Choir, an SF-based experimental vocal ensemble. She brings all of her talents to this project – from the wails, yelps, and rapid-fire utterances of her voice, to the riotous tumbling percussion, to the live video projections that react to the music during the Spray’s shows. She is joined by Jennings on turntables and electronics and Pino on additional percussion (Infinite Plastic Internal, McCaslin/Reed/Pino Trio, Surplus 1980, etc etc etc and a good friend of KFJC).

    Each performance is a very different experience, each an adventure. The Stork Club track (T1, ~20m) is an ecstatic meditation on the looping mantra: if a thing loves it is infinite. The LCM track (T2, ~18:30) begins with a twisted reveille – you wake up, but you’re still in the dream. The Second Act (T3, ~20m) is an underworld haunted by electronic ghosts. Together, it’s the sound of an artistic spirit finding her wild, fearsome voice. Spray it loud!

  • Reviewed by lexi glass on August 14, 2017 at 8:10 pm
  • Filed as A Library,CD
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  • Insect Surfers – “Datura Moon” – [Kallaalit Nunaat Music]

    The Insect Surfers from Los Angeles claim to be “Planet Earth’s Longest Running Modern Surf Band” but they continue to re-write the principles of modern surf music. In terms of musicianship, composition, and complexity, Datura Moon keeps them in a class by themselves. Jump around and dance to their great surf sounds or trip out on the psychedelic title track. Recommended!!!

  • Reviewed by Cousin Mary on August 12, 2017 at 3:40 pm
  • Filed as A Library,CD
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  • Chicago Edge Ensemble – “Decaying Orbit” – [Music Faculty, Silkaporn University]


    Dan Phillips is a Chicago guitarist who moved to Bangkok Thailand 20 years ago. His music is featured here and it is Groove oriented but also pays tribute to the AACM. Hamid drake on drums. Brass section is very strong. Recalls Raul Bjorkenheim, or Lester Bowie’ s Brass Fantasy.

  • Reviewed by Hemroid The Leader on August 9, 2017 at 2:57 pm
  • Filed as CD,Jazz
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  • Tinariwen – “Radio Tisdas Sessions, The” – [World Village]

    download

    West African mono chordal desert trance music. Psychedelic droning guitars. Tamasheq (Touareg) are a Saharan nomadic people who were in conflict with the government of Mali in the 80s, armed by Qaddafi. Tinariwen was formed in a Libyan camp for Tomashek rebels. This was Tinariwen’s first western release after a series of regional tapes. Track one sung by a guy who’d been shot 17 times.

  • Reviewed by Hemroid The Leader on August 9, 2017 at 2:35 pm
  • Filed as CD,International
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  • Midnight Mines – “If You Can’t Find a Partner Use a Wooden Chair” – [Mystery Plane Tapes]

    midnight

    Two guys from the UK who aren’t afraid to make a lo-fi racket out in the garage or wherever this was (poorly) recorded. Baron Saturday and Private Sorrow are their names and they play drums, guitar, keyboards, and at least one of them does vocals. So it’s pounding/crashing drums and blurting guitars and primitive keyboards all over the place. Sometimes similar to The Fall in that they will occasionally roll out a ragged/catchy/rockin’ musical pattern and one of the guys is talk-singing over it.

    This record reminds me of those cassettes I used to send away for in the mid-80s, offered in ads in the back of music zines, where it would be some unknown crazy-ass noise-rock band from Ohio or New Jersey or wherever, on some label I never heard of, and when I finally received it in the mail and listened to it, it was badly recorded and a real treat. This is kind of like that. Track B3 is an instrumental.

  • Reviewed by Max Level on August 8, 2017 at 9:53 pm
  • Filed as 12-inch,A Library
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  • Sharrock, Linda Network, The – “They Begin to Speak” – [Improvising Beings]

    Somewhere between AHH! and UH! lie these collectively improvised free jazz livestock orgies out on improvising beings. The same 50-minute-plus composition is performed in the studio on disc 1 and live on disc 2. Linda Sharrock’s post-stroke vocals are wild and primal. Very challenging and rewarding. The sidemen are right along with her, Itaru Oki, Makoto Sato, Eric Zinman, Mario Rechturn et al. CD1′s larger group’s collective improvising recalls Ornette Coleman Free Jazz LP. CD2 is a smaller group and it gets raw.

  • Reviewed by Hemroid The Leader on August 7, 2017 at 9:12 pm
  • Filed as CD,Jazz
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  • Corsano / Courvoisier / Wooley – “Salt Task” – [Relative Pitch Records]

    Chris Corsano – drums
    Sylvie Courvoisier – piano
    Nate Wooley – trumpet

    The premiere recording of this lineup, in Brooklyn 2015. These four tracks work out a very promising relationship. Wooley and corsano come from a DIY/free music background and Courvoisier was educated at the conservatory in Lausanne. But maybe these distinctions are not very important as they are having a very advanced musical discussion.
    The first track is 21 minutes long and it is the wildest and most tenuous. They continue to explore through the next two and by the last tune there is a sound. This band has a great sound and I think they would be crazy not to record more of it.

  • Reviewed by Hemroid The Leader on August 7, 2017 at 4:54 pm
  • Filed as CD,Jazz
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  • Herbst9 – “Usumgal Kalamma” – [Loki Foundation]

    h9

    Herbst9 is the dark ambient project of Henry Emich and Frank Merten from Leipzig (they also work under the name Land:Fire). This 2011 release from Loki Foundation is a 2X CD concept album inspired by the Sumer and Akkad, the world’s first civilizations – from the cuneiform symbols and mythological imagery that make up the cover art, to the vocals in the ancient Akkadian language, to the ceremonial rhythms and instrumentation. The first disc opens with “She Filled the Wells of the Land With Blood” (T1), with ringing gongs and the chants of a vengeful female spirit (Andrea Sinclair provides vocals in Akkadian, also on T7). “Napissunu Mutumma” (T2, “Their Breath is Death”) is a 15-minute epic with a dramatic battle scene bookended by beautiful, mysterious passages with harps and chimes. “Ludlul Bel Nemeqi” (T3, “I Will Praise the Lord of Wisdom”, the title of a poem that reads like a Babylonian version of the Book of Job) is a fitting soundtrack to your upcoming solar eclipse sacrifice. “The Sage Lord Asimbabbar” (T11) is another highlight, with violin, lute, and chimes. Along with the dark ambient shadows and the acoustic instruments, loops of spoken word are used – some times well, but other times to confusing and even annoying effect (like the guided meditation spoken word on T2, for example). But that aside, there’s hours of excellent dark, mystical atmosphere on this release.

  • Reviewed by lexi glass on August 6, 2017 at 3:44 pm
  • Filed as A Library,CD
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  • Vomir – “Application a Aphistemi” – [Maison Bruit]

    vomir

    Romain Perrot is a French dad who makes “walls” in his spare time: long recordings of harsh, loud, dense and nonmusical sound that change little over time. This style has been dubbed Harsh Noise Wall or Static Noise, other practitioners of this vile art including Richard Ramirez (as Werewolf Jerusalem) and The Rita. In an interview, the composer discussed the concept of the ‘Harsh Noise Will Manifesto,’ which has to do with the increasing atomization and selfishness inherent to modern Western society. For him, he says, Harsh Noise Wall is a place where he can exist away from the world. In this sense the practice shares the escapist qualities of a religion. Performing live, Perrot often wears a garbage bag over his head, in defiance of France’s laws against sporting religious head coverings in public.

    Two tracks 2011:

    T.1 = ‘Paulina Semilionova Would Go To The Knacker‘ = 40m = noise generators and effects = will make you grind your teeth.
    T.2 = ‘The Appearance Of Truth Is A Moment Of Falsehood’ = 20m = electro-acoustic 12-string guitar = will make you shiver.

    Don’t expect much to happen.

    Vomir means ‘to vomit’ in French.

  • Reviewed by Lord Gravestench on August 2, 2017 at 4:46 pm
  • Filed as A Library,CD
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  • Rites of Thy Degringolade – “Totality” – [Bird of Ill Omen Recordings]

    degringolade

    Another example of the particularly ferocious Black/Death Metal cults enshrined by the obsessives at Nuclear War Now! Productions (U.S. distributors of this release). R.O.T.D. was started by Paulus Kressman as a solo project in 1997. On this 2001 release he handles guitar, bass, drums and vocals, looking to one-time Begrime Exemious member Jay Wroth (AKA Deathcamp Executioner of the Nazarene Faith) for additional guitars and the yowling of further blasphemies.

    This is tight, effortless War Metal machinegun fire in the style of Black Witchery, whose ‘Desecration of the Holy Kingdom’ came out the same year. ‘Degringolade’ is English of French origin word meaning “a rapid decline or deterioration,” and is definitely NOT the name a sports drink sold in Tijuana. Some pretty strange noises occur on the B side, bestowing a “metaphysical” aspect that may have inspired subsequent releases from the likes of Antediluvian and Aevangelist.

    Guttural voices, frantic guitar noise, blasting drums. Hymns for the chosen.

  • Reviewed by Lord Gravestench on August 2, 2017 at 4:38 pm
  • Filed as 12-inch,A Library
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  • Lil Bub – “Science & Magic” – [Joyful Noise Recordings]

    I can’t stop laughing about this one. Some background info for those not in the know. Lil Bub is a cat, from outer space, who is an internet sensation like LOL Cat and Grumpy Cat. She has her own Youtube talk show with guests like Whoopi Goldberg and Steve Albini (Big Black, music producer). So Lil Bub was born with a serious bone disorder that would have made her paralyzed. But amazingly, she pulled through and now walks fairly well (probably because of her roots from outer space). She does have her tongue continually hanging out and a unique meow which are some of her selling points. BUT…. Lil Bub is also a music composer who has channeled or “guided” her human persons through the process of composition. Matt Tobey, her person, says she guides him continuously and Andrew WK experienced her power, first hand, in the studio. The 10 tracks are electronic lounge styled tunes with guitar and strings with drum beats, very fitting for what is being made by other musicians today. It’s cat cocktail music from space. And Lil Bub meows and purrs vocals, but not in that ostentatious white trash cat, cat’s meowing “Jingle Bells” sell out style. Lil Bub is the real deal: not overdoing it, knowing how a little of her goes a long way. No ego for Lil Bub. A sincere true artist. Enjoy and dance away.

  • Reviewed by Naysayer on July 31, 2017 at 11:31 pm
  • Filed as 12-inch,A Library
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  • Bricusse, Leslie and Newley, Anthony – “Willy Wonka & The Chocolate Factory” – [Universal Music Enterprises]

    C’mon! It’s Willy Freakin’ Wonka. The 45th Anniversary edition. On GOLDEN VINYL!!!!!!!! Iconic. The songs of several generations. Even kids today say it’s better than the Tim Burton/Johnny Depp version.
    Leslie Bricusse and Anthony Newley hit a home run with this soundtrack about the poor boy who makes it big. Songs about spoiled brats, psychedelic boat rides on chocolate rivers, orange little people singing oompa loompa, songs about the near death of children by some of the most diabolical methods that out-Saw the “Saw” franchise. There’s the most unhappy song about cheering up, “Cheer Up, Charlie” and, of course, “The Candy Man”, made famous in a rocking funky version by Sammy Davis, Jr. Oh, and did I mention Gene Wilder. Gene Freakin’ Wilder!!!!! PLAY IT and all you dark heart naysayers can go jump in a chocolate river.

  • Reviewed by Naysayer on July 31, 2017 at 10:58 pm
  • Filed as 12-inch,Soundtrack
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  • Pennington, Eddie – “Walks The Strings… and Even Sings” – [Smithsonian Folkways]

    This is a true treat: 20 tracks, mostly instrumental, by the stunning guitarist, Eddie Pennington. Hailing from Kentucky, he plays in the parlor movement style of Kentucky thumbpicking. (Read the booklet for an in depth explanation.) His skills are ever apparent. The notes float by ever so delicately, with intricate twists and turns that captivate the listener. His playing in so smooth, so perfect it is almost unreal. You can just see him sitting on a porch, picking away, telling stories, singing, and playing for hours. A joyful listen.

  • Reviewed by Naysayer on July 30, 2017 at 10:57 pm
  • Filed as CD,Country
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  • Pinguim, Astronauta – “Zeitgeist/Propaganda” – [Pineapple Music]

    Life is good when folks like Astronauta Pinguim exist. Luckily he “landed” here, his words, specifically in Brazil. He is of the folks who find great joy in recreating sounds with vintage 60′s/70′s synths, electric organs, drum machines and voice modulated vocals. So good. Each song is a joy of moog, synth, electronique and robot vocals. Great beats, smooth sounds, and rockin’ titles. You can’t go wrong when one song is named after the iconic 3 words said in “The Day The Earth Stood Still” – “Klaatu Barada Nikto”- even if he spells the first word wrong -Kaatu. Do “The Robot” with this one. I will.

  • Reviewed by Naysayer on July 30, 2017 at 10:33 pm
  • Filed as A Library,CD
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  • Infinite Plastic Internal – “Skyline Session” – [S/R]

    Mark Pino’s solo project Infinite Plastic Internal continues on the journey of modern day mantra with “Skyline Session”. Six instrumental tracks of percussion and drone, filled with many moments of silence and pause, this time. Sometimes the sound is what sounds like the hiss of a tape recorder. Other times, Pino’s drumming takes over guiding the listener through an array of rhythms and beats. Exceptional, as always.

  • Reviewed by Naysayer on July 30, 2017 at 9:42 pm
  • Filed as A Library,Cassette
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  • Salamander Wool – “Lunarsophic Somnambulist” – [Ehse Records]

    R-4161798-1357325474-5474.jpeg

    Salamander Wool’s music is by Carso Garhart and Twig Harper contributes electronic elements and production techniques. The first track is probably the best, with its field sounds (recorded over time in West Baltimore) and bells. Vocals join the sounds partway through the track, and are present on the other tracks as well. These are an acquired taste, but the music itself is pleasant enough, with its guitar strumming that is Americana-esque. Track 5 has water sounds and then whirring (a washing machine?). The lyrics have merit, and overall this might just be great music for the solar eclipse coming up.

  • Reviewed by humana on July 30, 2017 at 6:13 pm
  • Filed as A Library,CD
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  • My Cat Is an Alien & Jean-Marc Montera – “Union of The Supreme Light” – [Starlight Furniture Co.]

    a3431110692_16

    In a worthy tribute to their mother, the Opalio brothers join with Montera for some instantaneous composition in Marseille, France. In addition to the lovely painting gracing the album cover, Roberto adds his haunting wordless vocalizations and alientronics to Maurizio’s self-made string instrument and Montera’s self-made guitar table. The effects are calming, atmospheric, strange, and out of this world superb.

  • Reviewed by humana on July 30, 2017 at 5:31 pm
  • Filed as 12-inch,A Library
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  • Compile – “Ten Wolves End” – [Private Archive]

    a2691888422_10

    This release from NYC’s Compile, one of our first adds from the Boston cassette label Private Archive, holds two sidelong sound collages (supposedly two separate tracks, but I can’t hear the division). “Drone’s on Fire/Ten Wolves End” (A) is a collaboration with Article Collection (C. Latina of the group Private Archive and label co-owner). Chopped and screwed voices – possibly ripped from Youtube videos with views in the single digits or surveillance camera footage – describe survival on the streets and the pathetic daily life of a vlogger broadcasting for the first (and probably last) time. Underneath the samples are synth sketches, heavy bass pulses, tumbling metal, high pitched ringing, hovering drones. The piece degenerates into a finale that is both hilarious and terrifying. In “Compile/Did you really have fun tonight?” (B), recordings of domestic disturbances and an informational video about violent behavior steep in a nauseating brew of chants, drones, metallic echoes, and squirming synthwork. The cameras are everywhere, pointed at you, and the images captured are an infinitely scrolling reminder: there’s nothing in there.

    FCCs ON BOTH SIDES

  • Reviewed by lexi glass on July 30, 2017 at 5:07 pm
  • Filed as A Library,Cassette
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  • Thollem / Mazurek – “Blind Curves and Box Canyons” – [Relative Pitch Records]

    Trumpeter Rob Mazurek (Chicago Underground, Isotope 217) and electric pianist Thollem McDonas (Tsigoti, Estamos Ensemble) meet for the first time in Marfa and head for the outer limits. As might be expected from a pair of experienced improvisers with incredibly diverse interests, they hit a variety of spots along the way. It helps that Mazurek is packing a sampler, a modular synth, bells, and his prodigious voice in addition to his horn. Electric-era Miles is the obvious referent, but there are also Oval-style glitch experiments, modular synth workouts, free-folk psych freakouts, and even some “straight” free-improv. Of particular note are those moments when Mazurek’s shamanic chanting breaks through the squall, and the whole thing threatens to break itself apart. Noisy, messy, and joyous.

  • Reviewed by Phil Phactor on July 26, 2017 at 7:05 pm
  • Filed as CD,Jazz
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